The Philosophy of Curry

Delve into 'The Philosophy of Curry,' an enlightening non-fiction exploration of one of the world's most beloved dishes. This compelling volume, featuring insights from renowned chefs, historians, and cultural critics, unravels the rich tapestry of curry's origins, evolution, and global impact. Through a blend of culinary history and philosophical inquiry, the book examines how curry transcends mere sustenance, embodying cultural exchange and identity. Ideal for food enthusiasts and curious minds alike, 'The Philosophy of Curry' invites readers to savour the profound connections between cuisine, culture, and society.

Original Broadway Cast Recording (1968)

Aquarius

Donna

Hashish

Sodomy

Colored Spade

Manchester England

I'm Black

Ain't Got No

I Believe In Love

Ain't Got No (Reprise)

Air

Initials

I Got Life

Going Down

Hair

My Conviction

Easy To Be Hard

Don't Put It Down

Frank Mills

Be-In

Where Do I Go?

Electric Blues

Manchester England (Reprise)

Black Boys

White Boys

Walking In Space

Abie Baby

Three-Five-Zero-Zero

What A Piece Of Work Is Man / Walking In Space (Reprise)

Good Morning Starshine

The Bed

The Flesh Failures (Let The Sunshine In)

Original Off-Broadway Cast Album (1967)

Ain't Got No

I Got Life

Air

Going Down

Hair

Dead End

Frank Mills

Hare Krishna

Where Do I Go?

Electric Blues

Easy To Be Hard

Manchester

White Boys

Black Boys

Walking In Space

Aquarius

Good Morning Starshine

Exanaplanetooch

The Climax

Bonus Tracks - Previously Unreleased Tracks

Opening

Red Blue And White

Sentimental Ending

Interview With Galt MacDermot (July 30, 2003)

How Did You Become Involved With "Hair"?

What Do You Remember About The Off-Broadway Cast Recording?

And The Broadway Cast Recording?

In The Recording Session Photos, You Were The Only Person Wearing A Jacket And Tie.

How Did The Two Productions Differ?

You Were Not A Traditional Theater Composer. Did You Have Any Models Or Influences?

Did "Hair" Influence Your Later Work, Like "Two Gentlemen Of Verona"?

"Hair" Was Controversial With Critics And The Public. Did This Affect You At All?

On Writing Music For The Theater, And What Makes A Popular Song

Did You Ever Have To Re-Write Any Of The "Hair" Songs?

What Sort Of Music Do You Write Now?

Do You Use Synthesizers?

Have You Got Any Advice For People Who Want To Compose For Musical Theater?

Does Any One Song In "Hair" Express Your Philosophy?

• Product Type: BOOK
• Barcode: 9780712354509

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