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This is the eighth release in ATMA's project to record the sacred cantatas of J.S. Bach in conjunction with Festival Montréal Baroque. This cycle is performed in keeping with the latest scholarship on Bach's own performances, with the chorus sections sung by the four soloists, one voice per part.

Scandalized by the abuses of the Catholic clergy, on 31st October, 1517, the Augustinian monk Martin Luther posted his Ninety-Five Theses on the door of All Saints' Church in Wittenberg. The document condemned the selling of indulgences, advocated radical reforms, and set out his doctrine of justification by faith alone.

Every October 31 since the early 16th century, Lutheran communities have celebrated the Feast of the Reformation. In his role as cantor at the Saint Thomas church in Leipzig, Bach wrote two cantatas to be sung for the occasion: the first version of BWV 80, likely composed in 1723, and two years later BWV 79. Cantata BWV 76 was written for the second Sunday after Trinity, and the second part was offered to the church of Saint Paul for its Reformation celebrations in 1724, 1729, 1740, and 1745.

Montreal Baroque brings together some of Montreal's finest early music performers. The ensemble was created especially for the Montreal Baroque Festival, which has been held in June since 2003 in Old Montreal, with performance venues in churches, factories, and a warehouse that actually date back to the Baroque era. An initiative of cellist and gambist Susie Napper, the Festival offers a unique opportunity to hear music of the 17th and 18th centuries, performed by Canadian and international celebrities, in appropriate and unusual settings. In addition, educational activities seek to encourage current and future audiences to discover the many beauties of early music.

Helene Brunet - Soprano Michael Taylor - Countertenor Philippe Gagne - Tenor Jesse Blumberg - Baritone Montreal Baroque Susie Napper

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Description

This is the eighth release in ATMA's project to record the sacred cantatas of J.S. Bach in conjunction with Festival Montréal Baroque. This cycle is performed in keeping with the latest scholarship on Bach's own performances, with the chorus sections sung by the four soloists, one voice per part.

Scandalized by the abuses of the Catholic clergy, on 31st October, 1517, the Augustinian monk Martin Luther posted his Ninety-Five Theses on the door of All Saints' Church in Wittenberg. The document condemned the selling of indulgences, advocated radical reforms, and set out his doctrine of justification by faith alone.

Every October 31 since the early 16th century, Lutheran communities have celebrated the Feast of the Reformation. In his role as cantor at the Saint Thomas church in Leipzig, Bach wrote two cantatas to be sung for the occasion: the first version of BWV 80, likely composed in 1723, and two years later BWV 79. Cantata BWV 76 was written for the second Sunday after Trinity, and the second part was offered to the church of Saint Paul for its Reformation celebrations in 1724, 1729, 1740, and 1745.

Montreal Baroque brings together some of Montreal's finest early music performers. The ensemble was created especially for the Montreal Baroque Festival, which has been held in June since 2003 in Old Montreal, with performance venues in churches, factories, and a warehouse that actually date back to the Baroque era. An initiative of cellist and gambist Susie Napper, the Festival offers a unique opportunity to hear music of the 17th and 18th centuries, performed by Canadian and international celebrities, in appropriate and unusual settings. In addition, educational activities seek to encourage current and future audiences to discover the many beauties of early music.

Helene Brunet - Soprano Michael Taylor - Countertenor Philippe Gagne - Tenor Jesse Blumberg - Baritone Montreal Baroque Susie Napper

Track Listing

Bach: Premiere partie: Die Himmel erzahlen die Ehre Gottes, BWV 76 - I. Choeur: Die Himmel erzahlen die Ehre Gottes

Premiere partie: Die Himmel erzahlen die Ehre Gottes, BWV 76 - II. Recitatif: So lasst sich Gott nicht unbezeuget!

Premiere partie: Die Himmel erzahlen die Ehre Gottes, BWV 76 - III. Aria: Hort, ihr Volker, Gottes Stimme

Premiere partie: Die Himmel erzahlen die Ehre Gottes, BWV 76 - IV. Recitatif: Wer aber hort

Premiere partie: Die Himmel erzahlen die Ehre Gottes, BWV 76 - V. Aria: Fahr hin, abgottische Zunft!

Premiere partie: Die Himmel erzahlen die Ehre Gottes, BWV 76 - VI. Recitatif: Du hast uns, Herr, von allen Strassen

Premiere partie: Die Himmel erzahlen die Ehre Gottes, BWV 76 - VII. Choral: Es woll uns Gott genadig sein

Seconde partie: Die Himmel erzahlen die Ehre Gottes, BWV 76 - VIII. Sinfonia (adagio-vivace)

Seconde partie: Die Himmel erzahlen die Ehre Gottes, BWV 76 - IX. Recitatif: Gott segne noch die treue Schar

Seconde partie: Die Himmel erzahlen die Ehre Gottes, BWV 76 - X. Aria: Hasse nur, hasse mich recht

Seconde partie: Die Himmel erzahlen die Ehre Gottes, BWV 76 - XI. Recitatif: Ich fuhle schon im Geist

Seconde partie: Die Himmel erzahlen die Ehre Gottes, BWV 76 - XII. Aria: Liebt, ihr Christen, in der Tat!

Seconde partie: Die Himmel erzahlen die Ehre Gottes, BWV 76 - XIII. Recitatif: So soll die Christenheit

Seconde partie: Die Himmel erzahlen die Ehre Gottes, BWV 76 - XIV. Choral: Es danke, Gott, und lobe dich

Bach: Gott, der Herr, ist Sonn und Schild, BWV 79 - I. Choeur: Gott, der Herr, ist Sonn und Schild

Gott, der Herr, ist Sonn und Schild, BWV 79 - II. Aria: Gott ist unser Sonn und Schild!

Gott, der Herr, ist Sonn und Schild, BWV 79 - III. Choral: Nun danket alle Gott

Gott, der Herr, ist Sonn und Schild, BWV 79 - IV. Recitatif: Gottlob! Wir wissen den rechten Weg

Gott, der Herr, ist Sonn und Schild, BWV 79 - V. Aria (duo): Gott, ach Gott, verlass die Deinen

Gott, der Herr, ist Sonn und Schild, BWV 79 - VI. Choral: Erhalt uns in der Wahrheit

Bach: Ein feste Burg ist unser Gott, BWV 80 - I. Choeur: Ein feste Burg ist unser Gott

Ein feste Burg ist unser Gott, BWV 80 - II. Aria: Alles, was von Gott geboren

Ein feste Burg ist unser Gott, BWV 80 - III. Recitatif: Erwage doch, Kind Gottes, die so grosse Liebe

Ein feste Burg ist unser Gott, BWV 80 - IV. Aria: Komm in mein Herzenshaus

Ein feste Burg ist unser Gott, BWV 80 - V. Choral: Und wenn die Welt voll Teufel war

Ein feste Burg ist unser Gott, BWV 80 - VI. Recitatif: So stehe dann bei Christi blutgefarbten Fahne

Ein feste Burg ist unser Gott, BWV 80 - VII. Aria: Wie selig sind doch die, die Gott im Munde tragen

Ein feste Burg ist unser Gott, BWV 80 - VIII. Choral: Das Wort sie sollen lassen stahn

Details
  • Genre: Classical
  • Product Type: Audio CD
  • Barcode: 722056240727
  • Release Date: July 20, 2018
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