Introduction to Energy Analysis

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CD 1 - Episode 1: In Search Of A Tradition

Occasional Pieces For Piano (1942-73)

"Light, Warm Sunlight …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

“Douglas Was Uncle Gordon To Us …”

"My Father, Robert Lilburn …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

Lilburn Family Values

Musical Revelations At Waitaki Boys' High School; “... I Was Going To Be A Musician …” - Archival Interview Recorded In 1975

"If It Had To Be Music, Couldn’t It Have Been The Bagpipes?" - Archival Interview Recorded In 1985 For The Listener

Christchurch Scene Setter. Archival Talk Recorded In 1985

Offering A Prize For A Typically New Zealand Composition. Archival Talk Recorded In November 1935

Family History, First Meeting With Douglas

Reading A Letter By Douglas From 1937 Thanking Percy Grainger

“New Zealand Was Pretty Much Of A Backwoods In Those Days …” - Archival Interview Recorded In 1987

On Composers Realizing Their Best Works. Archival Talk Extracted From Tribute To Ralph Vaughan Williams Recorded On His Death In 1958

Studying With Vaughan Williams; Composing Drysdale Overture. Archival Interview Recorded In 1987

“We Felt Him To Be The Odd-one-out …” Underscored By Skiing On Mount Cook From The National Film Unit Production Of Journey For Three (1948), Recorded In 1948

Sonata For Violin And Piano (1950)

Douglas Working Back On The Farm After Returning From England

Drysdale Overture (1937)

Douglas's Brother Euan

State Of Orchestral Playing In The 30s And 40s In New Zealand. Archival Talk Extracted From A Sympathy With Sound, Marking The 21st Year Of The New Zealand Symphony Orchestra, Recorded In 1967

Composing Was A Strange Occupation In The 40s. Archival Interview Recorded In 1975

Composer Contradictions, Personal History

“You Can Divide Douglas's Music Into Three Periods …”

“He Was Not Good With Audiences, Electronic Music Distanced Him …”

Poem In Time Of War (Electronic With Voice Of Vietnamese Student, 1967)

“His Spirituality Wasn't Tied In With Any One Tradition …”

“He Felt Like He Wasn't Needed - People Make Their Own Music …”

“New Zealand Wasn't Ready For A National Composer …”

“He Was The Ugly Duckling …”

Sings Harry (1953)

Production Credits

CD 2 - Episode 2: Practicalities

Introduction And Opening Music From This Is New Zealand (1949), A New Zealand Broadcasting Service Radio Documentary

Scene Setter - Post World War II In Christchurch

Ngaio Marsh Theatre Rehearsals

Writing Music For The Theatre. Archival Talk Extracted From Music Ho, Douglas Lilburn 50th Birthday Tribute, Recorded In 1965

Ngaio Marsh Productions, New Zealand Poetry. Archival Interview Recorded In 1989

The Wellington Group. “Composers Had A Hard Time In The 40s And 50s …”

“Composing Conditions Were Poor In The 40s …” - Archival Talk Recorded In 1973

“Douglas Had High Performance Standards That Sometimes Weren't Met In The 40s …”

“Douglas Enjoyed First Performance Support – But ...”

Introduction To The Schola Musica And Ashley Heenan

Unearthing Works For The Schola Musica To Play

Title Music From The National Film Unit Production Of Journey For Three (1948), Recorded In 1948

Writing For Film / Race Meeting From The National Film Unit Production Of Journey For Three (1948), Recorded In 1948

“Have You Considered Writing An Opera?” - Archival Interview Recorded In 1989

Willow Song (1944)

Writing For Theatre - Richard And Edith Campion

Recording The Music For St Joan. Archival Interview Recorded In 1989

Introduction And Opening Music From The Radio Drama The Pitcher And The Well (1964)

Early Electronic Works For The NZBC

A Brief Extract From The Pitcher And The Well (1964)

Using Electronic Music In Theatre And Drama. Archival Interview Recorded In 1971

Douglas Returns From Overseas To Set Up The Electronic Music Studio. Archival Talk Recorded In 1985

Using University Breaks To Compose

Academic And Artist, Douglas Was A Creator Not An Analyst

University Life. Archival Interview Recorded In 1989

Symphony No. 3 (1961)

“The Lilburn Revival Began In The Mid 70s …”

“Lack Of Recordings Meant It Was Very Hard To Access His Music …”

“I First Encountered His Music, Copying Manuscripts…”

The Start Of Waiteata Press. Archival Interview Recorded In 1983

"Sleep On..." From Elegy (1951)

His Position On The Concert Programme Audition Panel

Detached Support For Other Composers

Quartet For Brass Instruments (1957)

Production Credits

CD 3 - Episode 3: Nature

No. 11 From Seventeen Pieces For Guitar (1969-70)

"I Have Trailed After My Brother Euan …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

“Entering Into Ascot Terrace …”

"The River …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

“He Never Revealed His Whole Self …”

“He Was Affected By What Others Said About Him …”

Waitaki Boys' High School; Submitting A Sonata Instead Of An Essay.

Communicating Through Music Rather Than Speech. Archival Interview Recorded In 1975

Summer Afternoon (1947)

“He Chose To Live Alone, Enjoyed Solitary Walks …” / Chaconne (1946)

"The Water Hole …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

Integrating The Natural World Into His Creative Work.

String Trio (1945)

“I First Met Douglas At The Victoria University College Literary Society …”

“Using The Natural Sounds Around You …” - Archival Interview Extracted From Programme Five Of The Lilburn Connection Recorded In 1980

Growing Up By Myself; Music At Home. Archival Interview Recorded In 1985 For The Listener

"Musical Awareness …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

Sonata (1949)

“He Had An Hypnotic Personality …”

Describing The Rooming House On The Terrace ... “he Was Like A Caged Lion …”

String Trio (1945)

Moving To Wellington

Sending Personal Notes On The Backs Of Photographs

The Vegetable Garden, Synod/drinking Story

Duo For Violin And Viola (1942)

“Style Comes From Your Life Experiences ...” - Archival Interview Extracted From Programme Three Of The Lilburn Connection Recorded In 1980

“Is The Piece Of Music A Part Of You?” - Archival Interview Recorded In 1975

Symphony No. 3 As A Self Portrait

“He Was An Extraordinary Person In An Ordinary, Decent Family …”

“He Was Not A Public Composer …” - Archival Talk Recorded In 1965

“To Fully Understand Douglas And His Music We Need To Acknowledge His Homosexuality …”

The Independent Obituary

Gaining Family Acceptance

“Well I Never ...”

St Joan (1955)

Production Credits

CD 4 - Episode 4: Methods

Soundscape With Lake And River (Electronic, 1979)

"Learning The Piano …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

Brief History Of The Electronic Music Studio At Victoria University. Archival Interview Recorded In 1971

“Electronic Music Is Like Painting …” (Quoting Douglas) - Archival Talk Recorded In 1985

“He Was An Intuitive Composer Rather Than A Grand Planner…”

“Can't Anyone Just Make These Machines Chatter?” - Archival Interview Recorded In 1971

Playing Electronic Works On The Radio, Public Reaction

Brief History Of Electronic Music. Archival Talk Extracted From Programme Nine Of Composers In Canz, Recorded In 1975

Describing The Electronic Music Studio At Victory University

The Fourth Of Four Preludes (1948-60)

Describing Douglas's Process For Composing Electronic Music

Experimenting With Early Electronic Instruments. Archival Interview Recorded In 1971

Introduction To And Description Of The Return (1965)

Realizing Electronic Sounds. Archival Interview Recorded In 1971

Douglas's Electronic Techniques

The Second Of Nine Short Pieces (1966)

"Glasses …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

“Music Just Doesn't Appear ... He Was A Craftsman …”

St Joan (1955)

St Joan Manuscript. Archival Interview Recorded In 1989

“Beautiful Manuscripts …”

Moving To More Abstract Depictions In His Music

Receiving A Brown Paper Parcel Containing The Symphony No. 3

Writing An Analysis Of Symphony No. 3

Ross Harris's Analysis

Song Of The Antipodes (1946), Later Renamed A Song Of Islands

“Lessons I've Learnt From Douglas …” - Archival Talk Extracted From Programme Two Of The Lilburn Connection Recorded In 1980

Forming The Lilburn Trust

“He Channeled His Creative Energy Into The Lilburn Trust …”

Prodigal Country (1939)

Production Credits

CD 5 - Episode 5: Hands

Occasional Pieces For Piano (1942-73)

"A Recital Of Music By Douglas Lilburn..." - Reading From A Review In The New Zealand Listener, 15 October 1943

Physical Description Of Douglas

“My First Contact With Douglas Was Through Gordon Macbeth …”; Gordon Macbeth Letter

Not Getting Assistance With Physical Ailments

Arthritic Hands, He Used To Play The Piano

Bagatelle No. 4 (from Five Bagatelles), Later Renamed From The Port Hills (1942)

Discovering Douglas's Music Through The World Record Club

Reading A Letter From Owen Jensen Inviting Douglas To Attend The Cambridge Summer School As Composer In Residence, 2 October 1945

Getting Douglas To The First Cambridge Summer School. Archival Talk Extracted From Music Ho, Douglas Lilburn 50th Birthday Tribute, Recorded In 1965

First Experience Of The Compositional Class At The Cambridge Summer School. Archival Talk Extracted From Programme Three Of The Lilburn Connection Recorded In 1980

“I Set Him Up One Time, As A Student …”; Douglas And Palestrina Counterpoint

There Are No "Little Lilburns" In This Cambridge Composers Photograph. Archival Talk Extracted From Programme One Of The Lilburn Connection Recorded In 1980

Wind Quintet (1957)

Teaching Style, Broad Musical Knowledge

“He Was A Closet Rock Composer ...”

Sonata (1950)

Silences At The Cambridge Summer School. Archival Talk Extracted From Music Ho, Douglas Lilburn 50th Birthday Tribute, Recorded In 1965

Copying Larry's Parts At The Last Minute. Archival Interview Recorded In 1983

“Douglas Made Us Aware Of Standards ...” - Archival Talk Extracted From Programme One Of The Lilburn Connection Recorded In 1980

Larry Really Went On His Own Way. Archival Interview Recorded In 1983

Sings Harry (1953)

Performer / Composer Relationship

“How Do You Decide What’s Coming Next?”

Giving Back To The Medium, Teaching. Archival Interview Recorded In 1975

Remembering Being A Student When Douglas Visited Otago University

“By Setting Up The Electronic Music Studio ...”

Taking A First Aid Course Together

Douglas's Broad-mindedness

Silence

Reading Psalm 90

Elegy (in Memoriam Noel Newson) (1945)

Production Credits

CD 6 - Episode 6: Canvases

Growing Up At Drysdale

"Sunlight, And Happiness Again …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

Leaving The Hermitage From The National Film Unit Production Of Journey For Three (1948), Recorded In 1948

First Musical Period

Landscapes In Douglas's Music, The Clear Light

Spaciousness In Douglas’s Music, The Sea

Using Imagery To Convey Meaning To The Performer

The Combination Of Poet And Composer Combining To Form New Zealand Identity. Archival Talk Extracted From Music Ho, Douglas Lilburn 50th Birthday Tribute, Recorded In 1965

Using External Influences To Construct A National Identity. Archival Interview Recorded In 1975

Introduction From This Is New Zealand (1949), A New Zealand Broadcasting Service Radio Documentary

Writing Incidental Music For This Is New Zealand

Brief Musical Extract From This Is New Zealand (1949), A New Zealand Broadcasting Service Radio Documentary

Sounds And Distances (electronic, 1975)

"Pukeroa School …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

“A Paradise To Roam In … Living In His Own Home Bush ...”

Douglas's Flat On The Avon River, Christchurch

Describing Douglas's Christchurch Bedsit

First Meeting Douglas, Walking Along The Paekakariki Beach

A Recording Of Douglas's Alarm System At Ascot Terrace. Archival Sound Extracted From An Interview Recorded By Chris Bourke In 1985 For The Listener

Describing Ascot Terrace

Describing The Interior Of Ascot Terrace

Meeting Douglas For The Listener Interview In 1985

Reasons For Moving Into Electronic Music. Archival Interview Recorded In 1985 For The Listener

Painting With Electronic Sound. Archival Interview Recorded In 1975

Third Musical Period

The Return (1965)

“Setting Up An Electronic Music Cave ...” - Archival Interview Recorded In 1989

Reading From Douglas's Published Note On The Electronic Composition Summer Voices

Demonstration Of The Synthi Aks Ca. 1969

Giving Advice On One Of Douglas's Early Electronic Compositions

Sonata (1950)

Production Credits

CD 7 - Episode 7: Relationships

Quartet For Brass Instruments (1957)

"My Mother Had Little Education …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

Sitting In The Sun Reading Poetry, Wild Honey

The Strength Of The Man Alone

“He Found It Difficult To Forgive People …”

Sonata (1951-52, Revised In 1956)

Getting Verbally Attacked Over An Electronic Composition

“He Was Strong Enough In Character … But Didn't Like Criticism ...”

“When My Husband Died ...”

Elegy (in Memoriam Noel Newson) (1945)

Douglas Didn't Like The Limelight

Inviting Students For Dinner - Composing Food

“He Knew What He Liked To Eat …”; Shopping For Douglas

Music As Payment

Three Bars For The Blood And Bone (1968)

Doing A Phd On Douglas

“I First Met Douglas’s Music Under My Own Fingers …”; Hand Copying From His Manuscript. Archival Interview Recorded In 1980

"My Paradisal Security Collapsed Suddenly …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

Conductor/performer/composer Relationships

"They Came Off Their Boat Into A Drear Old Customs Shed …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

Description Of The Christchurch Artistic Scene In The 30s And 40s

Christchurch In The 40s; Performing Douglas's Music. Archival Talk Recorded In 1981

The Second Of Four Preludes (1948-60)

“He Introduced Me To His Friends … And Eastern Religions...”

Change In Musical Language From Nationalism To Cosmopolitanism - Quoting Douglas

"The Circus"

Sings Harry (1953)

Artists Pulled Together In The 40s. Archival Interview Recorded In 1985 For The Listener

Douglas's Response To The 1985 Interview

The Final Letter

“Douglas's Reclusiveness Was Respected By Those Who Knew Him …”

Letter Scene From Cornet Rilke (1950)

Production Credits

CD 8 - Episode 8: Fashions

Letter Scene From Cornet Rilke (1950)

Reading "Musical Opinion, London" Letter To The New Zealand Listener, 1 February 1957

Sensitivity To Criticism

Shifting Into The Electronic Music Medium

Some People Said "What A Pity"

Poem In Time Of War

Climbing The Glacier

Distinctive Patterns In Douglas's Music / Race Meeting From The National Film Unit Production Of Journey For Three (1948)

Lack Of Support From Management At The National Film Unit In The 40s. Archival Talk Recorded In 1980

Promotional Disc For Journey For Three (1948)

Reading "A Birthday Offering" Letter To The New Zealand Listener, 7 December 1956

Second Musical Period

Audience Reaction To Symphony No. 3

Douglas Was Ignored In The 60s

Listening A The Back Of The Hall

Writing An Essay On Diversions For String Orchestra. Archival Interview Extracted From Programme Six Of The Lilburn Connection Recorded In 1980

Reflecting On Recording Sessions That Douglas Attended

"What Was The Attitude Towards New Zealand Composers?" - Archival Interview Recorded In 1985 For The Listener

Douglas's Career As A Composer Has Run Parallel With That Of The New Zealand Symphony Orchestra. Archival Talk Recorded In 1965

Recording The Schola Musica; Talking About Each Other's Gardens

Occasional Pieces For Piano (1942-73)

"Broadcasting" Supported And Exported Douglas's Music Overseas

Changing The Name Of Song Of The Antipodes, (1946). Archival Talk Extracted From Sounds From The South Recorded In 1980

Relationship With The Orchestra. Archival Interview Recorded In 1989

“Composing Has Become More Difficult For Me ...” - Archival Interview Recorded In 1975

Reading "Kitten On The Keys" Letter To The New Zealand Listener, 1949

Very Sensitive About His Personal Life Being Made Public

“Douglas's Music Was Reserved, Reticent ...”

“Douglas Worked Incredibly Hard To Create His Own Voice ...”

From The Port Hills

Production Credits

CD 9 - Episode 9: Withdrawing

Occasional Pieces For Piano (1942-73)

“Douglas’s Funeral Service Was A Very Private Affair …”

A Letter From Douglas In 1988 About Not Travelling, Withdrawing

Increased Paranoia Due To Drinking And No Daily Structure

Drinking Changed Him

Occasional Pieces For Piano (1942-73)

Describing Douglas's Face

“In His Late Years He Was Shy Of The Media … Self Conscious About Being Known …”

Withdrawing From The Public

He Was Aware Of His Status; Describing Douglas's Mother

“He Had A Memory Like An Elephant …”

Reflecting On Relationships

Occasional Pieces For Piano (1942-73)

Coming Back To New Zealand And Seeing Douglas Slip Into Old Age

After He Retired He Had A Chance To Compose Full Time - But He Didn't

Going Deaf

He Still Listened To What Other Composers Were Doing

“I Once Asked Douglas Why He Gave Up Composing …”

Reading The Final Letter

Brown Paper Bag Letters

No. 7 From Nine Short Piano Pieces (1966)

Falling Into Old Age; Defining Moments

He Didn't Leave His House In Later Years

His Refusal At The Possibility Of Living In A Rest Home

The Shepherd's Arms Group

I Wrote Him A Letter Before He Died

Four Preludes (1948-60)

“I Regret That We Didn't Do More …”

Douglas Never Talked About Death, More About Life And Creation

Letting Go Of Family

The Return (1965)

Elegy (1951)

Production Credits

CD 10 - Episode 10: Legacies

Douglas Would Have Hated This Series

"Gordon" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

Description Of Douglas - Generous But Frightening...a Fighter

Petitioning For The Release Of Jailed Composers. Archival Interview Recorded In 1975

Jill Palmer Displays Douglas's Typewriter Held At The Alexander Turnbull Library

Reads A Letter From Douglas To President Park Chung-hee Of The Republic Of Korea, 21 May 1976

“Freedom Seems To Function On Many Levels …” - Archival Interview Recorded In 1975

Poem In Time Of War (Electronic With Voice Of Vietnamese Student, 1967)

Forming The New Zealand Music Archive At The Alexander Turnbull Library

Chaconne (1946)

Describing What's In The Lilburn Collection At The Alexander Turnbull Library

"My Strong Willed Mother …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

Incidental Music From This Is New Zealand (1949), A New Zealand Broadcasting Service Radio Documentary

“You're Composing To Say Something Rather Than To Stretch Yourself?” - Archival Interview Recorded In 1985 For The Listener

Supporting Other Composers In The Background

“I Think Douglas Was Always Hesitant To Promote Himself, But Now …”

Quartet For Brass Instruments (1957)

The Queen's Visit; Receiving The Order Of New Zealand

"I Quickly Made Friends With The Children In The Street…" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

Order Of New Zealand Medal Story

The Return (1965)

Douglas's Friendship With Ralph Vaughan Williams. Archival Interview Recorded In 1995

Tribute To Ralph Vaughan Williams. Archival Talk Extracted From Tribute To Ralph Vaughan Williams Recorded On His Death In 1958

St Joan (1955)

Douglas Taught Me How To Listen

New Zealandness In His Music

"There Was A Final Family Summer …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

“Douglas Was Extremely Loyal To His Friends …”; Rita Angus

“I Remember When Rita Died ...”

“With Douglas It Was A Matter Of Trust …”

“His Music Didn't Influence Me - But His Personality Did …”

Douglas Affected My Decisions

“I Never Thought In Terms Of Making Money…”

"On The Last Day Of The Holiday …" - Reading From Douglas’s Unpublished Notes For Memories Of Early Years - A Selection Of Autobiographical Sketches

The Return (1965) / A Song Of Islands (originally Titled Song Of The Antipodes, 1946)

Production Credits

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