English Industries of the Middle Ages

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The Middle Ages

Woodwind

Shawm: Saltarello

Reed Pipe: Shepherd's Tune

Bagpipes

Cylindrical Chanter: Saltarello

Conical Chanter : Ballade "Dame Se Vous M'estes"

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Bladder Pipes: Pastourelle 'Au Tans D'aost' From The Chansonnier Cangé

Panpipes: Chanson À Refrain 'A Prisai Qu'En Chantant Plour' From The Chansonnier Cangé

Transverse Flute: Minnesinger Melody 'Owe Daz Nach Liebe Gat'

Six-Holed Pipe: Chanson Pieuse 'Dou Tres Douz Non' With Improvised Prelude And Postlude For Jew's Harp

Double Pipes: Virelai "Gracieusette'

Pipe And Tabor: Dansa 'Ben Volgra, S'Esser Poges'

Recorder: English Te Deum

Gemshorn: Chansonnette 'Quant Je Voy Yver Retorner'

Keyboard

Portative Organ: Madrigal 'Ay Schonsolato Ed Amoroso'

Positive Organ Estampie" From The Robertsbridge Fragment

Hurdy-Gurdy: Chanson 'Joliveté Et Bone Amor'

Clavichord: Ellend Du Hast

Brass

Trumpet

Clarion: Fanfare 'Untarn Slaf Tut Den Sumer Wol'

Buisine: Fanfare 'Ad Modum Tubae'

Cowhorn: Ballade 'De Moi Dolereus Vos Chant'

Mediaeval Cornett: Das Nachthorn

Slide Trumpet: Geisslerlied 'Maria Muoter Reinû Maît'

Ensemble--Mediaeval Cornett, Slide Trumpet Alto Shawm, Tabor: Der Trumpet

Strings

Harp

Metal Strung: Lai 'Qui Porroit Un Guierredon' (From The Chansonnier Cangé)

Gut Strung: Dance Tune

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Lyre: Goliard Melody 'O Roma Nobilis'

Psaltery: Hymn To St. Magnus 'Nobilis Humilis'

Dulcimer: Madrigal 'Tanto Soavemente'

Lute: Madrigal 'Di Novo É Giunto'

Mandora: Chanson 'Amours Que Porra'

Long-Necked Lute- 'Aquel Que De Voontade' From The 'Cantigas De Santa Maria'

Gittern: Virelai 'Quant Je Sui Mis'

Citole: English Dance

Rebec: La Septime Estampie Real

Ficcle: Ballata 'Poi Che Da Te Mi Convien'

Bowed Lyre: Virelai 'Comment Qu'a Moy'

Tromba Marina: Improvised Fanfare / Motet 'Quant Ie Le Voi--Bon Vin Doit--Cis Chans Veult Boire' From The Roman De Fauvel

The Renaissance

Woodwind

Shawm: Two Courantes From Newe Teutsche Weltliche Gesänglein 1613

Curtal: Chanson 'Ce Qui Souloit'

Rackett: Caro Ortolano From Il Primo Libren Di Balli 1578

Crumhorn: Padouana From The Banchetto Musicale 1617

Cornamuse: Bicinium 'Le Cuer De Vous' From Georg Rhaw's Bicinia Gallica Et Latina 1545

Kortholt: Bicinium 'Mon Petit Cueur' From Georg Rhaw's Bicinia Gallica Et Latina 1545

Rauschpfeife: Three Bransles Doubles From Terpsichore 1612

Flute: Chanson 'Amor Me Poingt' From Pierre Attaingnant's Second Book Of Chansons Musicales 1533

Recorder 8' Consort: Chanson 'Hellas! Amour' From Pierre Attaingnant's Second Book Of Chansons Musicales 1533

Recorder 4' Consort: The Fairie Round From Pavans, Galliards, Almains And Other Short Aeirs 1599

Keyboard

Renaissance Organ: Entrada Réal

Regal

Prelude 'Ascensus Simplex' From The Fundamentum Organisandi 1452

Min Hertz Hat Sich Ser Gefröwet From The Buxheim Orgelbuch

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Harpsichord: Toccata From The Naples MS

Virginals: Variations On The Romanesca From The Dublin Virginal Book C. 1570

Xylophone: Ballo Francese From Il Primo Libro Di Balli 1578

Brass

Trumpet

Unmuted: Toccata" From Orfeo 1607 Played In Th Written Key Of C Major (With Additonal Part For Two Kettledrums)

Muted: Toccata" From Orfeo 1607 Played With Mutes And Sounding A Tone Higher In D Major

Sackbut

Solo: Adagio & Allegro From The Sonata For Trombone, 2 Violins And Continuo

Consort: 'Lobt Gott Ihr Christen Alle Gleich' From Musae Sionae IV

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Cornett: Canzona For 'Due Canti' From Canzoni Da Sonare, 1634

Alto And Tenor Cornett: Bicinium 'Amour Organ' From Georg Rhaw's Bicinia Gallica Et Latina, 1545

Serpent: Canzona Quarta For 'Basso Solo' From The Canzoni Da Sonare 1643

Strings

Lute: Orlando Sleepeth

Theorbo: A Fancy--Praelude, Or VoluntaryFrom Musick's Monument 1676

Mandora: Ballo Anglese From Il Primo Libro Di Balli 1578

Cittern: Galliarde For Cittern & Bass From The Cittharn Schoole

Ceterone: Toccata Prima From The Intavolatura Di Liuto, Et Di Chitarrone 1623

Bandora: Galliard From The Braye Bandora M.S., C. 1600

Orpharion: Duet Le Rossignol From Jane Pickering's Lute Book, 1616

Vihuela: Fantasia XI From El Maestro, 1536

Guitar: Pavana (Variations On The Romanesca) From The Braye Lute Book C. 1560

Viol

Consort: Fantasy In Four Parts (Superius Part Reconstructed By Thurston Dart)

Lyra Viol: Duet 'Forget Me Not'

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Violin: La Volta

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