Budapest - JC Bach: Sinfonias, Vol.2 [CD]

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Johann Christian Bach (1735-1782) Sinfonia Op. 6 Johann Christian Bach, the youngest son of the great Thomascantor Johann Sebastian, was born on 5th September 1735 in Leipzig. Known from the most important periods of his career either as the Milan Bach or the London Bach, he owed his musical education either directly to his father, or at least to his supervision. After the latter's death in 1750 he moved to Berlin, where his brother Carl Philipp Emanuel, 21 years his elder, undertook his further training. In common with many other musicians he was attracted by Italy, where he moved in 1756, becoming a pupil in Bologna of the then most distinguished music theorist Padre Martini, who later gave lessons to Mozart. After conversion to Catholicism he was appointed organist at Milan cathedral, soon after turning his attention to opera and consequently to the Italian form of symphony. In 1762 Bach move finally to London, where he won success as a composer of opera and as music-master to Her Majesty Queen Sophie Charlotte of England, enjoying high favour at court. In 1764 with the composer and viola da gamba virtuoso Carl Friedrich Abel he founded the Bach-Abel Concerts, which from 1775 took place in the famous Hanover Square Rooms. In the same year came the important meeting with the eight-year-old Mozart, who visited London with his father and played for him. Johann Christian was an unrivalled exponent of the galant style and exercised a strong influence on the musical development of the young Mozart, an example that it is possible to trace in the latter's later work. As his star had risen like a comet in the middle of the eighteenth century, so quickly did his fame decline at the beginning of the 1780s. In May 1781 he gave his last concert in London. Now financial and health problems compelled him more and more to withdraw into private life. He died in straitened circumstances in London on 1st January 1782. Mozart gave moving expression to his sorrow in a letter, writing of the great loss to the musical world. Known respectively as Giovanni or John, Bach left some sixty symphonies as well as twenty concertante symphonies for one or more solo instruments, not counting thirty solo fortepiano or harpsichord concertos. Evidence of his fame is seen in the numerous publications of his instrumental compositions in his own life-time, in particular of his symphonies. These are, except for one and a doubtful example, in three movements, in the form developed from the Italian opera-symphony (fast - slow - fast) and used by Bach in the overtures to his operas. The gift for thematic invention inherited from his father, under Italian influence transformed into singing, lyrical material, his understanding of form giving rise to a new school of composition, subtle feeling for colour and for formal clarity, harmony and thematic contrast are all characteristics of his musical style. Opera-symphonies with Bach turned more and more into concert symphonies, culminating in

Sinfonias Vol. 2 - Sinfonia In G Major, Op. 6, No. 1: Allegro con brio

Sinfonias Vol. 2: Andante

Sinfonias Vol. 2: Allegro assai

Sinfonias Vol. 2: Allegro spiritoso

Sinfonias Vol. 2: Andante

Sinfonias Vol. 2: Allegro spiritoso

Sinfonias Vol. 2: Allegro con brio

Sinfonias Vol. 2: Andante

Sinfonias Vol. 2: Allegro assai

Sinfonias Vol. 2: Allegro di molto

Sinfonias Vol. 2: Andante

Sinfonias Vol. 2: Presto

Sinfonias Vol. 2: Allegro con brio

Sinfonias Vol. 2: Andante

Sinfonias Vol. 2: Allegro assai

Sinfonias Vol. 2: Allegro

Sinfonias Vol. 2: Andante

Sinfonias Vol. 2: Allegro molto