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Jan Pieterszoon Sweelinck (1562 - 1621) Toccata in C Ballo del granduca Ricercar Malle Sijmen Mein junges Leben hat ein End' Echo Fantasia in A Minor Onder een linde groen Toccata in A Minor Erbarm dich mein, o Herre Gott Poolsche Dans Jan Pieterszoon Sweelinck spent the greater part of his life and his entire professional career in Amsterdam, a city that had grown in wealth and importance during the later sixteenth century. As an appendage of Burgundy the town had enjoyed a degree of independence, leading, in the later sixteenth century, to a relative lack of political interest in the struggles against Spain. In 1578, however, Amsterdam rejected its Catholic magistracy in favour of the reformed religion and Prince William of Orange, soon to form part of the Dutch Republic of the United Provinces. In spite of the official change of religion, an alteration that might well have affected musical life for the worse, a surprising degree of religious tolerance was preserved. Amsterdam continued with a large Catholic minority, and larger group, to which Sweelinck may himself have belonged, of citizens who kept their old loyalty to Catholicism, while fulfilling whatever duties might fall to them under the new Calvinist régime. Sweelinck was born in the Hanseatic town of Deventer in 1562, the son of a professional musician who, in the early 1560s, moved to Amsterdam as organist of the Oude Kerk, a position he held, its relatively meagre emoluments perhaps supplemented by other employment, until his death in 1573. It must be supposed that his son had his early musical training from his father and certainly his general education under the guidance of the Catholic Jacob Buyck, priest of the Oude Kerk until the changes of 1578. Later musical study is thought to have been as a pupil of Jan Willemszoon, later surnamed Lossy, in Haarlem. It seems probable that Sweelinck succeeded to his father's position as organist of the Oude Kerk in 1577, since an obituary tribute credits him with 44 years in a position that he certainly held until his death in 1621. At the Oude Kerk Sweelinck established himself as a musician of growing international importance, attracting pupils from the Netherlands and from North Germany, and the attention of English composers and performers, including Peter Philips and John Bull. As an organist his playing won admiration and it may be supposed that his duties, under the new Protestant civic administration, would have involved daily performances, which seem to have become something of a tourist attraction. While in earlier years, after the death of his father, there were obvious financial difficulties, alleviated by help from well placed friends of the family, later years brought substantial rewards from the authorities and from pupils. Through the latter he exercised a strong influence over music in North Germany and Scandinavia, not least through musicians such as Samuel Scheidt and his younger brother Gottfried. Like Johann Sebas

Toccata in C

Ballo Del Granduca

Ricercar

Malle Sijmen

Mein junges leben hat ein end'

Echo fantasia in A minor

Onder een linde groen

Toccata in a Minor

Erbarm Dich Mein, O Herre Gott, BWV721

Poolsche Dans

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Description
Please Note Not All Our New Items Are Shrink Wrapped.All items shipped within 3 working days of payment.Jan Pieterszoon Sweelinck (1562 - 1621) Toccata in C Ballo del granduca Ricercar Malle Sijmen Mein junges Leben hat ein End' Echo Fantasia in A Minor Onder een linde groen Toccata in A Minor Erbarm dich mein, o Herre Gott Poolsche Dans Jan Pieterszoon Sweelinck spent the greater part of his life and his entire professional career in Amsterdam, a city that had grown in wealth and importance during the later sixteenth century. As an appendage of Burgundy the town had enjoyed a degree of independence, leading, in the later sixteenth century, to a relative lack of political interest in the struggles against Spain. In 1578, however, Amsterdam rejected its Catholic magistracy in favour of the reformed religion and Prince William of Orange, soon to form part of the Dutch Republic of the United Provinces. In spite of the official change of religion, an alteration that might well have affected musical life for the worse, a surprising degree of religious tolerance was preserved. Amsterdam continued with a large Catholic minority, and larger group, to which Sweelinck may himself have belonged, of citizens who kept their old loyalty to Catholicism, while fulfilling whatever duties might fall to them under the new Calvinist régime. Sweelinck was born in the Hanseatic town of Deventer in 1562, the son of a professional musician who, in the early 1560s, moved to Amsterdam as organist of the Oude Kerk, a position he held, its relatively meagre emoluments perhaps supplemented by other employment, until his death in 1573. It must be supposed that his son had his early musical training from his father and certainly his general education under the guidance of the Catholic Jacob Buyck, priest of the Oude Kerk until the changes of 1578. Later musical study is thought to have been as a pupil of Jan Willemszoon, later surnamed Lossy, in Haarlem. It seems probable that Sweelinck succeeded to his father's position as organist of the Oude Kerk in 1577, since an obituary tribute credits him with 44 years in a position that he certainly held until his death in 1621. At the Oude Kerk Sweelinck established himself as a musician of growing international importance, attracting pupils from the Netherlands and from North Germany, and the attention of English composers and performers, including Peter Philips and John Bull. As an organist his playing won admiration and it may be supposed that his duties, under the new Protestant civic administration, would have involved daily performances, which seem to have become something of a tourist attraction. While in earlier years, after the death of his father, there were obvious financial difficulties, alleviated by help from well placed friends of the family, later years brought substantial rewards from the authorities and from pupils. Through the latter he exercised a strong influence over music in North Germany and Scandinavia, not least through musicians such as Samuel Scheidt and his younger brother Gottfried. Like Johann Sebas

Toccata in C

Ballo Del Granduca

Ricercar

Malle Sijmen

Mein junges leben hat ein end'

Echo fantasia in A minor

Onder een linde groen

Toccata in a Minor

Erbarm Dich Mein, O Herre Gott, BWV721

Poolsche Dans

Track Listing

Toccata in C

Ballo Del Granduca

Ricercar

Malle Sijmen

Mein junges leben hat ein end'

Echo fantasia in A minor

Onder een linde groen

Toccata in a Minor

Erbarm Dich Mein, O Herre Gott, BWV721

Poolsche Dans

Details
  • Product Type: AUDIO CD
  • Barcode: 4891030509047
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