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Soloists - Purcell: Dido and Aeneas [CD]

Soloists - Purcell: Dido and Aeneas [CD]

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Henry PURCELL (1659 - 1695) Dido and Aeneas Although little is known about the origins of Dido and Aeneas we do know that it was performed in 1689 at an annual concert at the well-known Josias Priest's boarding-school for Young Gentlewomen in Chelsea. Despite convincing evidence that the work was conceived for such a performance, some scholars believe that it was in fact first performed at Court some years earlier and that a performance in 1700, when the music was used in revival of Shakespeare's Measure for Measure, more accurately reflected Purcell's original lay-out of voices. The Scholars Baroque Ensemble have opted for an allocation of voices which is probably closer to the 1689 performance. The Sorceress is given to a mezzo-soprano (what a wonderful part for the resident school nurse!), the Witches are sopranos and the Spirit is countertenor. With regard to instrument, the bass violin (slightly larger than a cello) is used instead of the pairing of cello and double-bass, which did not come into practice until after Purcell's death. Not all of Purcell's music for Dido and Aeneas is extant and, in particular, problems arise from the lack of music to end the second act. The libretto calls for a final chorus and dance and something is certainly needed to round off the act and bring the music back to the home key of D. Rather than adapt music from another of Purcell's works, we have chosen the simple but effective device of repeating in instrumental form the chorus from the beginning of the same scene. The two Guitar Dances are improvised as implied in the 1689 libretto as is the \\Horrid Music after the Echo Dance of Furies. A thunder sheet is used after the Triumphing Dance and to accompany the 'Horrid Music' as called for in the libretto and has additionally been employed in numbers 26 and 27, as the text seems to cry out for it. The Drunken Sailors' Dance in Act 2 is an arrangement for two violins by William Thorp of Row Well, Ye Mariners, a popular tune which can be found in all editions of John Playford's The English Dancing Master (1651 - c. 1728). David van Asch Henry Purcell (1659 - 1695) Dido and Aeneas Libretto by Nahum Tate The Scholars Baroque Ensemble Dido, Queen of Carthage - Kym Amps (soprano) Belinda, her sister - Anna Crookes (soprano) Second Woman - Ghislaine Morgan (soprano) Sorceress - Sarah Connolly (mezzo-soprano) First Witch - Ghislaine Morgan (soprano) Second Witch - Anna Crookes (soprano) Spirit - Angus Davidson (countertenor) Aeneas, a Trojan prince - David van Asch (bass) First Sailor - Robin Doveton (tenor) David Gould (countertenor), Julian Podger (tenor), Colin Campbell (bass) Henry Purcell, one of the greatest English composers, before English music was overwhelmed by the activities of Handel in the next century, was born in 1659, the son of a musician Thomas Purcell and nephew of Henry Purcell, both of whom served as gentlemen of the Chapel Royal after the restoration of the monarchy in 1660. At the age of ten th

Ov - The Scholars Baroque Ens

Act I: Shake The Cloud From Your Brow - Anna Crookes/The Scholars Baroque Ens

Act I: Ah! Belinda, I Am Press'd With Torment - Kym Amps

Act I: Grief Increases By Concealing - Anna Crookes/Kym Amps

Act I: When Monarchs Unite How Happy Their State - The Scholars Baroque Ens

Act I: Whence Could So Much Virtue Spring - Kym Amps/Anna Crookes

Act I: Fear No Danger To Ensure - Anna Crookes/Ghislaine Morgan/The Scholars Baroque Ens

Act I: See, Your Royal Guest Appears - Anna Crookes/David Van Asch/Kym Amps

Act I: Cupid Only Throws The Dart - The Scholars Baroque Ens

Act I: If Not For Mine, For Empire's Sake - David Van Asch/Anne Crookes

Act I: Guitar's Chaconne - The Scholars Baroque Ens

Act I: To The Hills And The Vales - The Scholars Baroque Ens

Act I: The Triumphing Dance - The Scholars Baroque Ens

Act II: Wayward Sisters - Sarah Connolly/Ghislaine Morgan

Act II: Harm's Our Delight - The Scholars Baroque Ens

Act II: The Queen Of Carthage, Whom We Hate - Sarah Connolly

Act II: Ho Ho Ho, Ho Ho Ho! - The Scholars Baroque Ens

Act II: Ruin'd Ere The Set Sun? - Ghislaine Morgan/Anna Crookes/Sarah Connolly

Act II: Ho Ho Ho, Ho Ho Ho! - The Scholars Baroque Ens

Act II: Sailor's Dance - Robin Doveton/David Gould/Julian Podger/Colin Campbell

Act II: But, Ere We This Perform - Ghislaine Morgan/Anna Crookes

Act II: In Our Deep Vaulted Cell - The Scholars Baroque Ens

Act II: Echo Dance Of Furies - The Scholars Baroque Ens

Act II, Scene II: Ritornelle - The Scholars Baroque Ens

Act II, Scene II: Thanks To These Lonseome Vales - Anna Crookes/The Scholars Baroque Ens

Act II, Scene II: Oft She Visits This Lone Mountain - The Scholars Baroque Ens/Ghislaine Morgan

Act II, Scene II: Behold, Upon My Bended Spear - David Van Asch/Kym Amps

Act II, Scene II: Haste To Town - Anna Crookes/The Scholars Baroque Ens

Act II, Scene II: Stay, Prince! And Hear Great Jove's Command - Angus Davidson/David Van Asch

Act II, Scene II: Ritornelle - The Scholars Baroque Ens

Act III: Come Away, Fellow Sailors - Robin Doveton/The Scholars Baroque Ens

Act III: The Sailor's Dance - Robin Doveton/David Gould/Julian Podger/Colin Campbell

Act III: See, The Flags And Streamers Curling - Sarah Connolly/Ghislaine Morgan/Anna Crookes

Act III: Our Next Motion - Sarah Connolly

Act III: Destruction's Our Delight - The Scholars Baroque Ens

Act III: The Witches' Dance - Ghislaine Morgan/Anna Crookes

Act III, Scene II: Your Counsel All Is Urg'd In Vain - Kym Amps/Anna Crookes/David Van Asch

Act III, Scene II: Great Minds Against Themselves Conspire - The Scholars Baroque Ens

Act III, Scene II: Thy Hand, Belinda; Darness Shades Me - Kym Amps

Act III, Scene II: When I Am Laid To Earth - Kym Amps

Act III, Scene II: With Drooping Wings Ye Cupids Come - The Scholars Baroque Ens

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Description
Please Note Not All Our New Items Are Shrink Wrapped.All items shipped within 3 working days of payment.Henry PURCELL (1659 - 1695) Dido and Aeneas Although little is known about the origins of Dido and Aeneas we do know that it was performed in 1689 at an annual concert at the well-known Josias Priest's boarding-school for Young Gentlewomen in Chelsea. Despite convincing evidence that the work was conceived for such a performance, some scholars believe that it was in fact first performed at Court some years earlier and that a performance in 1700, when the music was used in revival of Shakespeare's Measure for Measure, more accurately reflected Purcell's original lay-out of voices. The Scholars Baroque Ensemble have opted for an allocation of voices which is probably closer to the 1689 performance. The Sorceress is given to a mezzo-soprano (what a wonderful part for the resident school nurse!), the Witches are sopranos and the Spirit is countertenor. With regard to instrument, the bass violin (slightly larger than a cello) is used instead of the pairing of cello and double-bass, which did not come into practice until after Purcell's death. Not all of Purcell's music for Dido and Aeneas is extant and, in particular, problems arise from the lack of music to end the second act. The libretto calls for a final chorus and dance and something is certainly needed to round off the act and bring the music back to the home key of D. Rather than adapt music from another of Purcell's works, we have chosen the simple but effective device of repeating in instrumental form the chorus from the beginning of the same scene. The two Guitar Dances are improvised as implied in the 1689 libretto as is the Horrid Music after the Echo Dance of Furies. A thunder sheet is used after the Triumphing Dance and to accompany the 'Horrid Music' as called for in the libretto and has additionally been employed in numbers 26 and 27, as the text seems to cry out for it. The Drunken Sailors' Dance in Act 2 is an arrangement for two violins by William Thorp of Row Well, Ye Mariners, a popular tune which can be found in all editions of John Playford's The English Dancing Master (1651 - c. 1728). David van Asch Henry Purcell (1659 - 1695) Dido and Aeneas Libretto by Nahum Tate The Scholars Baroque Ensemble Dido, Queen of Carthage - Kym Amps (soprano) Belinda, her sister - Anna Crookes (soprano) Second Woman - Ghislaine Morgan (soprano) Sorceress - Sarah Connolly (mezzo-soprano) First Witch - Ghislaine Morgan (soprano) Second Witch - Anna Crookes (soprano) Spirit - Angus Davidson (countertenor) Aeneas, a Trojan prince - David van Asch (bass) First Sailor - Robin Doveton (tenor) David Gould (countertenor), Julian Podger (tenor), Colin Campbell (bass) Henry Purcell, one of the greatest English composers, before English music was overwhelmed by the activities of Handel in the next century, was born in 1659, the son of a musician Thomas Purcell and nephew of Henry Purcell, both of whom served as gentlemen of the Chapel Royal after the restoration of the monarchy in 1660. At the age of ten th

Ov - The Scholars Baroque Ens

Act I: Shake The Cloud From Your Brow - Anna Crookes/The Scholars Baroque Ens

Act I: Ah! Belinda, I Am Press'd With Torment - Kym Amps

Act I: Grief Increases By Concealing - Anna Crookes/Kym Amps

Act I: When Monarchs Unite How Happy Their State - The Scholars Baroque Ens

Act I: Whence Could So Much Virtue Spring - Kym Amps/Anna Crookes

Act I: Fear No Danger To Ensure - Anna Crookes/Ghislaine Morgan/The Scholars Baroque Ens

Act I: See, Your Royal Guest Appears - Anna Crookes/David Van Asch/Kym Amps

Act I: Cupid Only Throws The Dart - The Scholars Baroque Ens

Act I: If Not For Mine, For Empire's Sake - David Van Asch/Anne Crookes

Act I: Guitar's Chaconne - The Scholars Baroque Ens

Act I: To The Hills And The Vales - The Scholars Baroque Ens

Act I: The Triumphing Dance - The Scholars Baroque Ens

Act II: Wayward Sisters - Sarah Connolly/Ghislaine Morgan

Act II: Harm's Our Delight - The Scholars Baroque Ens

Act II: The Queen Of Carthage, Whom We Hate - Sarah Connolly

Act II: Ho Ho Ho, Ho Ho Ho! - The Scholars Baroque Ens

Act II: Ruin'd Ere The Set Sun? - Ghislaine Morgan/Anna Crookes/Sarah Connolly

Act II: Ho Ho Ho, Ho Ho Ho! - The Scholars Baroque Ens

Act II: Sailor's Dance - Robin Doveton/David Gould/Julian Podger/Colin Campbell

Act II: But, Ere We This Perform - Ghislaine Morgan/Anna Crookes

Act II: In Our Deep Vaulted Cell - The Scholars Baroque Ens

Act II: Echo Dance Of Furies - The Scholars Baroque Ens

Act II, Scene II: Ritornelle - The Scholars Baroque Ens

Act II, Scene II: Thanks To These Lonseome Vales - Anna Crookes/The Scholars Baroque Ens

Act II, Scene II: Oft She Visits This Lone Mountain - The Scholars Baroque Ens/Ghislaine Morgan

Act II, Scene II: Behold, Upon My Bended Spear - David Van Asch/Kym Amps

Act II, Scene II: Haste To Town - Anna Crookes/The Scholars Baroque Ens

Act II, Scene II: Stay, Prince! And Hear Great Jove's Command - Angus Davidson/David Van Asch

Act II, Scene II: Ritornelle - The Scholars Baroque Ens

Act III: Come Away, Fellow Sailors - Robin Doveton/The Scholars Baroque Ens

Act III: The Sailor's Dance - Robin Doveton/David Gould/Julian Podger/Colin Campbell

Act III: See, The Flags And Streamers Curling - Sarah Connolly/Ghislaine Morgan/Anna Crookes

Act III: Our Next Motion - Sarah Connolly

Act III: Destruction's Our Delight - The Scholars Baroque Ens

Act III: The Witches' Dance - Ghislaine Morgan/Anna Crookes

Act III, Scene II: Your Counsel All Is Urg'd In Vain - Kym Amps/Anna Crookes/David Van Asch

Act III, Scene II: Great Minds Against Themselves Conspire - The Scholars Baroque Ens

Act III, Scene II: Thy Hand, Belinda; Darness Shades Me - Kym Amps

Act III, Scene II: When I Am Laid To Earth - Kym Amps

Act III, Scene II: With Drooping Wings Ye Cupids Come - The Scholars Baroque Ens

Track Listing

Ov - The Scholars Baroque Ens

Act I: Shake The Cloud From Your Brow - Anna Crookes/The Scholars Baroque Ens

Act I: Ah! Belinda, I Am Press'd With Torment - Kym Amps

Act I: Grief Increases By Concealing - Anna Crookes/Kym Amps

Act I: When Monarchs Unite How Happy Their State - The Scholars Baroque Ens

Act I: Whence Could So Much Virtue Spring - Kym Amps/Anna Crookes

Act I: Fear No Danger To Ensure - Anna Crookes/Ghislaine Morgan/The Scholars Baroque Ens

Act I: See, Your Royal Guest Appears - Anna Crookes/David Van Asch/Kym Amps

Act I: Cupid Only Throws The Dart - The Scholars Baroque Ens

Act I: If Not For Mine, For Empire's Sake - David Van Asch/Anne Crookes

Act I: Guitar's Chaconne - The Scholars Baroque Ens

Act I: To The Hills And The Vales - The Scholars Baroque Ens

Act I: The Triumphing Dance - The Scholars Baroque Ens

Act II: Wayward Sisters - Sarah Connolly/Ghislaine Morgan

Act II: Harm's Our Delight - The Scholars Baroque Ens

Act II: The Queen Of Carthage, Whom We Hate - Sarah Connolly

Act II: Ho Ho Ho, Ho Ho Ho! - The Scholars Baroque Ens

Act II: Ruin'd Ere The Set Sun? - Ghislaine Morgan/Anna Crookes/Sarah Connolly

Act II: Ho Ho Ho, Ho Ho Ho! - The Scholars Baroque Ens

Act II: Sailor's Dance - Robin Doveton/David Gould/Julian Podger/Colin Campbell

Act II: But, Ere We This Perform - Ghislaine Morgan/Anna Crookes

Act II: In Our Deep Vaulted Cell - The Scholars Baroque Ens

Act II: Echo Dance Of Furies - The Scholars Baroque Ens

Act II, Scene II: Ritornelle - The Scholars Baroque Ens

Act II, Scene II: Thanks To These Lonseome Vales - Anna Crookes/The Scholars Baroque Ens

Act II, Scene II: Oft She Visits This Lone Mountain - The Scholars Baroque Ens/Ghislaine Morgan

Act II, Scene II: Behold, Upon My Bended Spear - David Van Asch/Kym Amps

Act II, Scene II: Haste To Town - Anna Crookes/The Scholars Baroque Ens

Act II, Scene II: Stay, Prince! And Hear Great Jove's Command - Angus Davidson/David Van Asch

Act II, Scene II: Ritornelle - The Scholars Baroque Ens

Act III: Come Away, Fellow Sailors - Robin Doveton/The Scholars Baroque Ens

Act III: The Sailor's Dance - Robin Doveton/David Gould/Julian Podger/Colin Campbell

Act III: See, The Flags And Streamers Curling - Sarah Connolly/Ghislaine Morgan/Anna Crookes

Act III: Our Next Motion - Sarah Connolly

Act III: Destruction's Our Delight - The Scholars Baroque Ens

Act III: The Witches' Dance - Ghislaine Morgan/Anna Crookes

Act III, Scene II: Your Counsel All Is Urg'd In Vain - Kym Amps/Anna Crookes/David Van Asch

Act III, Scene II: Great Minds Against Themselves Conspire - The Scholars Baroque Ens

Act III, Scene II: Thy Hand, Belinda; Darness Shades Me - Kym Amps

Act III, Scene II: When I Am Laid To Earth - Kym Amps

Act III, Scene II: With Drooping Wings Ye Cupids Come - The Scholars Baroque Ens

Details
  • Genre: Classical
  • Product Type: AUDIO CD
  • Barcode: 730099410823
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