Accardo Salvatore - Rossini: Sonate A Quattro; Bottesini: Gran Duo Concertante [CD]

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In the summer of 1804 while on a summer holiday in the village of Conventello near Ravenna, Rossini, then aged twelve, composed his six Sonate a quattro for two violins, cello and double-bass. Many years later, the composer wrote on the front of the manu \u2018First violin, second violin, violoncello and contrabass parts for six horrendous sonatas composed by me at the country house (near Ravenna) of my friend and patron, Agostinio Triossi, at the most youthful age, having not even had a lesson in thorough-bass. They were all composed and copied in three days and performed in a doggish way by Triossi, contrabass; Morini (his cousin), first violin; the latter\u2019s brother, violoncello; and the second violin by myself, who was, to tell the truth, the least doggish.\u2019\r
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Known also in orchestrated versions as the \u2018String Sonatas\u2019, they are rarer in these original versions. Together with musicians with whom he has worked closely \u2013 [names] \u2013 Salvatore Accardo recorded these in 1978 in Switzerland. They were issued the following year and, according to Tully Potter, who writes the notes for this release, \u2018have acquired mythical status and are unlikely to be surpassed: the original two-LP set has been changing hands for three-figure sums but this is the first complete international CD reissue on Decca\u2019. Three smaller Rossini works complete the disc which is then filled out by the more extensive Gran Duo Concertante for violin, double-bass and strings by Dragonetti\u2019s successor as king of the double bassists, Giovanni Bottesini.\r
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Although noted for his fearless and thrilling performances of music by Paganini for Deutsche Grammophon, Salvatore Accardo, who celebrates his 75th birthday in October 2016, also recorded extensively for Philips in the 1970s and 80s. His repertoire ranged from Baroque music through to 19th and 20th concertos, including the complete music for violin and orchestra by Bruch, and concertos by Mendelssohn and Sibelius.\r
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\u2018In the hands of the splendid team assembled here, the effect is enormously exhilarating. As well as virtuosity from all, there is an uncommon purity of intonation and the kind of tonal nuance that makes it clear that sensitivity, not exhibitionism, is the ruly factor, though the players respond with evident zest to Rossini\u2019s flights of ebullience. [\u2026] Very strongly recommended.\u2019(Sonate a quattro) Gramophone, April 1981\r
\u2018superbly played here, with first-class unanimity and the utmost finesse\u2019 (Duetto) Gramophone, April 1981

GIOACCHINO ROSSINI Sonata A Quattro No. 1 In G Major

Sonata A Quattro No. 6 In D Major*

Sonata A Quattro No. 2 In A Major

Duetto For Cello And Double-bass In D Major*

Sonata A Quattro No. 3 In C Major

Un Mot \xe0 Paganini For Violin And Piano*

Une Larme (arranged For Double-Bass And Piano)*

GIOVANNI BOTTESINI Gran Duo Concertante For Violin, Double-bass And Strings

Sonata A Quattro No. 4 In B Flat Major

Sonata A Quattro No. 5 In E Flat Major