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Various - From Melba To Sutherland - Australian Singers On Record [CD]

Various - From Melba To Sutherland - Australian Singers On Record [CD]

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'Remarkable CD set \u2026 I never realised that so many great singers were Australian.'........'The transfers are superb.'.......'A plethora of rarities.'\r
'An absolute must-have for anyone even remotely interested in the history of opera on record.' says Rob Cowan from Gramophone Magazine.\r
\r
From Melba to Sutherland: Australian Singers on Record is the first-ever comprehensive survey of the recordings of Australia's greatest singers \u2013 in a unique new four-CD set from Decca, complete with biographies of each of the 80 artists, rare photographs, all contained within a 68-page booklet.\r
\r
Why has there been such an extraordinary procession of world-class Australian singers over such an extended period of time? The question is often asked, but there are no easy answers. For Australia to have produced Dame Nellie Melba and Dame Joan Sutherland, two of the most famous singers of the twentieth century, is in itself something like a miracle. But there are so many more \u2013 some 80 wonderful singers in total.\r
\r
The compilation has been meticulously researched by music historian Roger Neill and recording industry expert Tony Locantro. It covers a wide range of musical genres, from opera to music hall and from art song to variety. Co-producer Roger Neill has said: 'Thirteen years in the making, From Melba to Sutherland is truly a once-in-a-lifetime project \u2013 the first-ever comprehensive survey of recordings by Australia's greatest singers.'\r
\r
Included with the issue is a detailed booklet covering all of the recordings with brief biographies and rare photographs of the singers, and an overview of their teachers. Each of the recordings has been expertly remastered from best-available original sources.\r
\r
Aside from Melba and Sutherland, other world-famous Australians included are: Peter Dawson, a baritone who concentrated his career on the newly-emerged recording medium, selling some thirteen million records in the fifty years from 1904. Florence Austral, an outstanding Wagnerian soprano. June Bronhill, who followed Joan Sutherland as Lucia di Lammermoor at Covent Garden, but who chose to make her career in operetta and musical comedy with spectacular success. Malcolm McEachern, the bass half of the best-selling Flotsam and Jetsam duo who was equally accomplished in classical repertoire. Dame Joan Hammond, whose 'Oh my beloved father' from Puccini's Gianni Schicchi was one of the best-selling classical discs of all time. Florrie Forde, one of the greatest music hall artists, whose hit songs included 'Down at the Old Bull and Bush', 'Tipperary' and 'Pack up your Troubles', and Richard Watson, the Adelaide-born bass who was a long-time principal with the D'Oyly Carte Opera Company, singing the comic bass-baritone roles of the Savoy Operas.\r
\r
Alongside these greats, several outstanding Australian singers have been re-discovered, their lives and recordings researched afresh. Many of them had become just names, nothing more. They include: Syria Lamonte, the first woman singer to be recorded professionally in Britain in 1898. Frances Saville, a leading soprano in Mahler's famous company in Vienna, who re-introduced several of the great Mozartian roles to the repertoire. Andrew Black, the only top-flight singer of Melba's generation who moved from Britain to Australia. Violet Mount, who, unable to break into the opera houses of Europe, made an outstanding career on the music halls singing operatic arias as the masked 'L'Incognita'. Lorna Sydney, who went to further her career in Vienna, but was interned as an alien during World War II. She became a leading member of the Vienna State Opera at the cessation of hostilities.\r
\r
Also there are many extremely rare recordings included in the anthology, some of them existing in just a single instance. For example, there is a private recording of the great Australian baritone, Harold Williams, singing a rousing Cobb and Co song, 'John Bax'. Another great rarity is an unpublished test pressing by Florence Austral singing Br\xfcnnhilde's 'Battlecry' from Wagner's Die Walk\xfcre.\r
\r
This high prestige project has been actively supported throughout by Richard Bonynge and the late Dame Joan Sutherland, who have written: 'It is wonderful to be able to hear these exceptional voices, singers of real quality. It is a mammoth collection and Australia can be proud to share her artists with the world.'

MELBA & THE MARCHESI SCHOOL: Gounod: Ah! Je ris (Jewel Song) (Faust) / NELLIE MELBA

Sullivan: Time was when love and I (Curate\u2019s Song) (The Sorcerer)/ ANDREW BLACK

MUSICAL THEATRE, RADIO & COMEDY: Fraser-Simson: Love will find a way (The Maid of the Mountains) / GLADYS MONCRIEFF

Berlioz: Sanctus (Grand Messe des Morts, Op. 5)/ RONALD DOWD

Bemberg: Nymphs et sylvains

Handel: Honour and Arms (Samson)/ PETER DAWSON

Tate: A Paradise for Two (The Maid of the Mountains) /ROBERT CHISHOLM/GLADYS MONCREIFF

Puccini: Nessun dorma (Turandot) / KENNETH NEATE

Puccini: Addio, dolce svegliare (Quartet) (La boh\xe8me) / BROWNING MUMMERY / JOHN BROWNLEE

James: Six Australian Bush Songs /PETER DAWSON - No. 1

Friml: Some Day (The Vagabond King)/ STRELLA WILSON

Britten: People! \u2026 No! I will speak! (Peter Grimes) / RAYMOND NILSSON / JOHN LANIGAN

Massenet: Ob\xe9issons, quand leur voix appelle (Gavotte) (Manon)/ FRANCES SEVILLE

No. 2

O\u2019Hagan: Let\u2019s take a trip to Melbourne/ CLEMENT Q. WILLIAMS

Puccini: Lovely maid in the moonlight (O soave fanciulla) (La Boh\xe8me)/ JOHN LANIGAN / GLENDA RAYMOND

Mallinson: New Year Song / ADA CROSSLEY

No. 4

Hilliam & McEachern: Is \u2019e an Aussie, Lizzie, is \u2019e? / MALCOLM McEACHERN

Bizet: La fleur que tu m\u2019avais jet\xe9e (Carmen) / ALBERT LANCE

Verdi: Miserere (Il trovatore) / FRANCES ALDA

No. 5

Rodgers: Climb Every Mountain (The Sound of Music) / ROSINA RAISBECK

SUTHERLAND AND HER CIRCLE: Donizetti: Cruda, funesta smania \u2026 La pietada in suo favore (Lucia di Lammermoor)/ JOHN SHAW

Puccini: In quelle trine morbide (Manon Lescaut)

No. 6

Rodgers: The Sound of Music (The Sound of Music) / JUNE BRONHILL

Verdi: Una fatale del mio destino (La forza del destino)/ ROBERT ALLMAN

Verdi: Caro nome (Rigoletto) / AMY CASTLES

Trad. Cornish arr. Moss: The Floral Dance/ PETER DAWSON

SOPRANOS AFTER WORLD WAR II: Puccini: O my beloved father (O mio babbino caro) (Gianni Schicchi) / JOAN HAMMOND

Massenet: De l\u2019autel v\xe9n\xe9r\xe9 \u2026 O divine Esclarmonde! (Esclarmonde) / CLIFFORD GRANT

Metcalf: Absent / IRENE AINSLEY

Handel: O ruddier than the cherry (Acis and Galatea)/ MALCOLM McEACHERN

Charpentier: Depuis le jour (Louise) /JOAN HAMMOND

Meale: I am behind you, Voss \u2026 Nothing could be safer or more solid (Voss) / CLIFFORD GRANT/GEOFFREY CHARD/HEATHER BEGG

Auber: C\u2019est l\u2019histoire amoureuse (Manon Lescaut) / EVELYN SCOTNEY

Cowan: Onaway, awake beloved/ HAROLD WILLIAMS

Thomas: I am Titania (Je suis Titania) (Mignon)/ GLENDA RAYMOND

Meale: I am looking at the map of my hand (Voss) / ROBERT GARD

Donizetti: Regnava nel silenzio (Lucia di Lammermoor) / STELLA POWER

Villaume: Old John Bax/ HAROLD WILLIAMS

Berlioz: O mon cher fils (L\u2019Enfance du Christ)/ ELSIE MORISON / JOHN CAMERON

Verdi: Vieni o levita \u2026 Tu sul labbro (Nabucco)/ NEIL WARREN-SMITH

OTHER EARLY SOPRANOS: Balfe: Killarney / MARIE NARELLE

Mozart: Deh vieni alla finestra (Serenade) (Don Giovanni)/ JOHN BROWNLEE

Verdi: Saper vorreste (Un ballo in maschera) / ANGELINA ARENA

Graun: Se il dovere in quest\u2019addio (Montezuma)/ LAURIS ELMS

Verdi: Follie! Follie! \u2026 Sempre libera (La traviata) (sung in French)/ LALLA MIRANDA

Sullivan: When a felon\u2019s not engaged in his employment (Policeman\u2019s Song) (The Pirates of Penzance)/RICHARD WATSON

Richard Strauss: Ich kann nicht sitzen (Elektra) / MARIE COLLIER

Elgar: In Haven (Capri) (Sea Pictures, Op. 37) / MARGRETA ELKINS

Puccini: One fine day (Un bel d\xec vedremo) (Madama Butterfly)/ ROSINA BUCKMAN

WAGNERIANS AND OTHER DRAMATICS: Wagner: The King\u2019s Prayer (Lohengrin) (sung in English) / LEMPRI\xc8RE PRINGLE

Wagner: Du bist der Lenz (Die Walk\xfcre) / NANCE GRANT

Rossini: La fioraia fiorentina / JOAN SUTHERLAND

Scott: Lullaby / GERTRUDE JOHNSON

Wagner: Elisabeth\u2019s Greeting (Tannh\xe4user) (sung in English)/ ELSA STRALIA

Ponchielli: Suicidio! (La Gioconda) / RITA HUNTER

Donizetti: Ah! tardai troppo \u2026 O luce di quest\u2019anima (Linda di Chamounix)/ JOAN SUTHERLAND

OTHER EARLY MEZZOS AND CONTRALTOS - Molloy: Darby and Joan / ELLA CASPERS

Wagner: Ho-jo-to-ho (Br\xfcnnhilde\u2019s Battlecry) (Die Walk\xfcre)/ FLORENCE AUSTRAL

MEZZOS AFTER WORLD WAR II: Mahler: Urlicht (Symphony No. 2 \u2018Resurrection\u2019) / LORNA SYDNEY

Gounod: Oh Dieu! Que de bijoux \u2026 Ah! Je ris (Jewel Song) (Faust)/ JOAN SUTHERLAND

Schumann: Thou art so like a flower (Du bist wie eine Blume) (Myrthen)/ DOROTHY HELMRICH

Wagner: Welches Unholds List (G\xf6tterd\xe4mmerung)/ FLORENCE AUSTRAL/FREDERICK COLLIER

Mahler: Rheinlegendchen (Des Knaben Wunderhorn) / YVONNE MINTON

Catalani: Ebben? \u2026 Ne andr\xf2 lontana (La Wally)/ JOAN CARDEN

Brahe: I passed by your window /EILEEN BOYD

Verdi: La luce langue (Macbeth) / MARHERITA GRANDI

Purcell: All our days and our nights (The Masque in Dioclesian) / MAX WORTHLEY

Novello: We\u2019ll gather lilacs (Perchance to Dream)/ YVONNE KENNY

Saint-Sa\xebns: Tonight \u2026 O love, from thy power (Samson \u2026 Amour, viens aider)/ CLARA SERENA

Wagner: Starke Scheite (Br\xfcnnhilde\u2019s Immolation) (G\xf6tterd\xe4mmerung) opening (sung in French)/MARJORIE LAWRENCE

Verdi: O figli miei! \u2026 Ah, la paterna mano (Macbeth, Act IV) / DONALD SMITH

K\xe1lm\xe1n: Mary kam vom gold\u2019nen Strande (Die Herzogin von Chicago)/ DEBORAH RIEDEL

Brahe: Bless this house/ ESSIE ACKLAND

Trad. Aboriginal arr: Loam: Maranoa Lullaby / HAROLD BLAIR

Gounod: Dieu ! quel frisson \u2026 Amour, ranime mon courage (Rom\xe9o et Juliette)/ EMMA MATTHEWS

EARLY TENORS- Hill: Waiata Poi/ ALFRED HILL

Britten: Is this all you can bring? (Albert Herring) ./ SYLVIA FISHER

German: The Yeomen of England (Merrie England) / JOHN CAMERON

Kneass: Ben Bolt (Trilby\u2019s Song) / WALTER KIRBY

Trad: Comin' thro' the rye / SYRIA LAMONTE

Leoncavallo: No! Punchinello, no more (No! Pagliaccio non son) (Pagliacci) / BROWNING MUMMERY

Hill: The Boys\u2019 Brigade / HAMILTON HILL

MacMorrough: Macushla/ ALFRED O'SHEA

Bishop: Lo! Here the gentle lark / VIOLET MOUNT (L\u2019INCOGNITA)

Puccini: Amore o grillo (Madama Butterfly) / LIONELLO CECIL

Thurban: The Whistling Bowery Boy/ ALBERT WHELAN

EARLY BARITONES & BASSES - Elgar: Jesu! by that shuddering dread (The Dream of Gerontius)/ HORACE STEVENS

Murphy & Lipton: Oh! Oh! Antonio/ FLORRIE FORD

Weston & Barnes: When father papered the parlour / BILLY WILLIAMS

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Description
Please Note Not All Our New Items Are Shrink Wrapped.All items shipped within 3 working days of payment.'Remarkable CD set u2026 I never realised that so many great singers were Australian.'........'The transfers are superb.'.......'A plethora of rarities.'r'An absolute must-have for anyone even remotely interested in the history of opera on record.' says Rob Cowan from Gramophone Magazine.rrFrom Melba to Sutherland: Australian Singers on Record is the first-ever comprehensive survey of the recordings of Australia's greatest singers u2013 in a unique new four-CD set from Decca, complete with biographies of each of the 80 artists, rare photographs, all contained within a 68-page booklet.rrWhy has there been such an extraordinary procession of world-class Australian singers over such an extended period of time? The question is often asked, but there are no easy answers. For Australia to have produced Dame Nellie Melba and Dame Joan Sutherland, two of the most famous singers of the twentieth century, is in itself something like a miracle. But there are so many more u2013 some 80 wonderful singers in total.rrThe compilation has been meticulously researched by music historian Roger Neill and recording industry expert Tony Locantro. It covers a wide range of musical genres, from opera to music hall and from art song to variety. Co-producer Roger Neill has said: 'Thirteen years in the making, From Melba to Sutherland is truly a once-in-a-lifetime project u2013 the first-ever comprehensive survey of recordings by Australia's greatest singers.'rrIncluded with the issue is a detailed booklet covering all of the recordings with brief biographies and rare photographs of the singers, and an overview of their teachers. Each of the recordings has been expertly remastered from best-available original sources.rrAside from Melba and Sutherland, other world-famous Australians included are: Peter Dawson, a baritone who concentrated his career on the newly-emerged recording medium, selling some thirteen million records in the fifty years from 1904. Florence Austral, an outstanding Wagnerian soprano. June Bronhill, who followed Joan Sutherland as Lucia di Lammermoor at Covent Garden, but who chose to make her career in operetta and musical comedy with spectacular success. Malcolm McEachern, the bass half of the best-selling Flotsam and Jetsam duo who was equally accomplished in classical repertoire. Dame Joan Hammond, whose 'Oh my beloved father' from Puccini's Gianni Schicchi was one of the best-selling classical discs of all time. Florrie Forde, one of the greatest music hall artists, whose hit songs included 'Down at the Old Bull and Bush', 'Tipperary' and 'Pack up your Troubles', and Richard Watson, the Adelaide-born bass who was a long-time principal with the D'Oyly Carte Opera Company, singing the comic bass-baritone roles of the Savoy Operas.rrAlongside these greats, several outstanding Australian singers have been re-discovered, their lives and recordings researched afresh. Many of them had become just names, nothing more. They include: Syria Lamonte, the first woman singer to be recorded professionally in Britain in 1898. Frances Saville, a leading soprano in Mahler's famous company in Vienna, who re-introduced several of the great Mozartian roles to the repertoire. Andrew Black, the only top-flight singer of Melba's generation who moved from Britain to Australia. Violet Mount, who, unable to break into the opera houses of Europe, made an outstanding career on the music halls singing operatic arias as the masked 'L'Incognita'. Lorna Sydney, who went to further her career in Vienna, but was interned as an alien during World War II. She became a leading member of the Vienna State Opera at the cessation of hostilities.rrAlso there are many extremely rare recordings included in the anthology, some of them existing in just a single instance. For example, there is a private recording of the great Australian baritone, Harold Williams, singing a rousing Cobb and Co song, 'John Bax'. Another great rarity is an unpublished test pressing by Florence Austral singing Brxfcnnhilde's 'Battlecry' from Wagner's Die Walkxfcre.rrThis high prestige project has been actively supported throughout by Richard Bonynge and the late Dame Joan Sutherland, who have written: 'It is wonderful to be able to hear these exceptional voices, singers of real quality. It is a mammoth collection and Australia can be proud to share her artists with the world.'

MELBA & THE MARCHESI SCHOOL: Gounod: Ah! Je ris (Jewel Song) (Faust) / NELLIE MELBA

Sullivan: Time was when love and I (Curateu2019s Song) (The Sorcerer)/ ANDREW BLACK

MUSICAL THEATRE, RADIO & COMEDY: Fraser-Simson: Love will find a way (The Maid of the Mountains) / GLADYS MONCRIEFF

Berlioz: Sanctus (Grand Messe des Morts, Op. 5)/ RONALD DOWD

Bemberg: Nymphs et sylvains

Handel: Honour and Arms (Samson)/ PETER DAWSON

Tate: A Paradise for Two (The Maid of the Mountains) /ROBERT CHISHOLM/GLADYS MONCREIFF

Puccini: Nessun dorma (Turandot) / KENNETH NEATE

Puccini: Addio, dolce svegliare (Quartet) (La bohxe8me) / BROWNING MUMMERY / JOHN BROWNLEE

James: Six Australian Bush Songs /PETER DAWSON - No. 1

Friml: Some Day (The Vagabond King)/ STRELLA WILSON

Britten: People! u2026 No! I will speak! (Peter Grimes) / RAYMOND NILSSON / JOHN LANIGAN

Massenet: Obxe9issons, quand leur voix appelle (Gavotte) (Manon)/ FRANCES SEVILLE

No. 2

Ou2019Hagan: Letu2019s take a trip to Melbourne/ CLEMENT Q. WILLIAMS

Puccini: Lovely maid in the moonlight (O soave fanciulla) (La Bohxe8me)/ JOHN LANIGAN / GLENDA RAYMOND

Mallinson: New Year Song / ADA CROSSLEY

No. 4

Hilliam & McEachern: Is u2019e an Aussie, Lizzie, is u2019e? / MALCOLM McEACHERN

Bizet: La fleur que tu mu2019avais jetxe9e (Carmen) / ALBERT LANCE

Verdi: Miserere (Il trovatore) / FRANCES ALDA

No. 5

Rodgers: Climb Every Mountain (The Sound of Music) / ROSINA RAISBECK

SUTHERLAND AND HER CIRCLE: Donizetti: Cruda, funesta smania u2026 La pietada in suo favore (Lucia di Lammermoor)/ JOHN SHAW

Puccini: In quelle trine morbide (Manon Lescaut)

No. 6

Rodgers: The Sound of Music (The Sound of Music) / JUNE BRONHILL

Verdi: Una fatale del mio destino (La forza del destino)/ ROBERT ALLMAN

Verdi: Caro nome (Rigoletto) / AMY CASTLES

Trad. Cornish arr. Moss: The Floral Dance/ PETER DAWSON

SOPRANOS AFTER WORLD WAR II: Puccini: O my beloved father (O mio babbino caro) (Gianni Schicchi) / JOAN HAMMOND

Massenet: De lu2019autel vxe9nxe9rxe9 u2026 O divine Esclarmonde! (Esclarmonde) / CLIFFORD GRANT

Metcalf: Absent / IRENE AINSLEY

Handel: O ruddier than the cherry (Acis and Galatea)/ MALCOLM McEACHERN

Charpentier: Depuis le jour (Louise) /JOAN HAMMOND

Meale: I am behind you, Voss u2026 Nothing could be safer or more solid (Voss) / CLIFFORD GRANT/GEOFFREY CHARD/HEATHER BEGG

Auber: Cu2019est lu2019histoire amoureuse (Manon Lescaut) / EVELYN SCOTNEY

Cowan: Onaway, awake beloved/ HAROLD WILLIAMS

Thomas: I am Titania (Je suis Titania) (Mignon)/ GLENDA RAYMOND

Meale: I am looking at the map of my hand (Voss) / ROBERT GARD

Donizetti: Regnava nel silenzio (Lucia di Lammermoor) / STELLA POWER

Villaume: Old John Bax/ HAROLD WILLIAMS

Berlioz: O mon cher fils (Lu2019Enfance du Christ)/ ELSIE MORISON / JOHN CAMERON

Verdi: Vieni o levita u2026 Tu sul labbro (Nabucco)/ NEIL WARREN-SMITH

OTHER EARLY SOPRANOS: Balfe: Killarney / MARIE NARELLE

Mozart: Deh vieni alla finestra (Serenade) (Don Giovanni)/ JOHN BROWNLEE

Verdi: Saper vorreste (Un ballo in maschera) / ANGELINA ARENA

Graun: Se il dovere in questu2019addio (Montezuma)/ LAURIS ELMS

Verdi: Follie! Follie! u2026 Sempre libera (La traviata) (sung in French)/ LALLA MIRANDA

Sullivan: When a felonu2019s not engaged in his employment (Policemanu2019s Song) (The Pirates of Penzance)/RICHARD WATSON

Richard Strauss: Ich kann nicht sitzen (Elektra) / MARIE COLLIER

Elgar: In Haven (Capri) (Sea Pictures, Op. 37) / MARGRETA ELKINS

Puccini: One fine day (Un bel dxec vedremo) (Madama Butterfly)/ ROSINA BUCKMAN

WAGNERIANS AND OTHER DRAMATICS: Wagner: The Kingu2019s Prayer (Lohengrin) (sung in English) / LEMPRIxc8RE PRINGLE

Wagner: Du bist der Lenz (Die Walkxfcre) / NANCE GRANT

Rossini: La fioraia fiorentina / JOAN SUTHERLAND

Scott: Lullaby / GERTRUDE JOHNSON

Wagner: Elisabethu2019s Greeting (Tannhxe4user) (sung in English)/ ELSA STRALIA

Ponchielli: Suicidio! (La Gioconda) / RITA HUNTER

Donizetti: Ah! tardai troppo u2026 O luce di questu2019anima (Linda di Chamounix)/ JOAN SUTHERLAND

OTHER EARLY MEZZOS AND CONTRALTOS - Molloy: Darby and Joan / ELLA CASPERS

Wagner: Ho-jo-to-ho (Brxfcnnhildeu2019s Battlecry) (Die Walkxfcre)/ FLORENCE AUSTRAL

MEZZOS AFTER WORLD WAR II: Mahler: Urlicht (Symphony No. 2 u2018Resurrectionu2019) / LORNA SYDNEY

Gounod: Oh Dieu! Que de bijoux u2026 Ah! Je ris (Jewel Song) (Faust)/ JOAN SUTHERLAND

Schumann: Thou art so like a flower (Du bist wie eine Blume) (Myrthen)/ DOROTHY HELMRICH

Wagner: Welches Unholds List (Gxf6tterdxe4mmerung)/ FLORENCE AUSTRAL/FREDERICK COLLIER

Mahler: Rheinlegendchen (Des Knaben Wunderhorn) / YVONNE MINTON

Catalani: Ebben? u2026 Ne andrxf2 lontana (La Wally)/ JOAN CARDEN

Brahe: I passed by your window /EILEEN BOYD

Verdi: La luce langue (Macbeth) / MARHERITA GRANDI

Purcell: All our days and our nights (The Masque in Dioclesian) / MAX WORTHLEY

Novello: Weu2019ll gather lilacs (Perchance to Dream)/ YVONNE KENNY

Saint-Saxebns: Tonight u2026 O love, from thy power (Samson u2026 Amour, viens aider)/ CLARA SERENA

Wagner: Starke Scheite (Brxfcnnhildeu2019s Immolation) (Gxf6tterdxe4mmerung) opening (sung in French)/MARJORIE LAWRENCE

Verdi: O figli miei! u2026 Ah, la paterna mano (Macbeth, Act IV) / DONALD SMITH

Kxe1lmxe1n: Mary kam vom goldu2019nen Strande (Die Herzogin von Chicago)/ DEBORAH RIEDEL

Brahe: Bless this house/ ESSIE ACKLAND

Trad. Aboriginal arr: Loam: Maranoa Lullaby / HAROLD BLAIR

Gounod: Dieu ! quel frisson u2026 Amour, ranime mon courage (Romxe9o et Juliette)/ EMMA MATTHEWS

EARLY TENORS- Hill: Waiata Poi/ ALFRED HILL

Britten: Is this all you can bring? (Albert Herring) ./ SYLVIA FISHER

German: The Yeomen of England (Merrie England) / JOHN CAMERON

Kneass: Ben Bolt (Trilbyu2019s Song) / WALTER KIRBY

Trad: Comin' thro' the rye / SYRIA LAMONTE

Leoncavallo: No! Punchinello, no more (No! Pagliaccio non son) (Pagliacci) / BROWNING MUMMERY

Hill: The Boysu2019 Brigade / HAMILTON HILL

MacMorrough: Macushla/ ALFRED O'SHEA

Bishop: Lo! Here the gentle lark / VIOLET MOUNT (Lu2019INCOGNITA)

Puccini: Amore o grillo (Madama Butterfly) / LIONELLO CECIL

Thurban: The Whistling Bowery Boy/ ALBERT WHELAN

EARLY BARITONES & BASSES - Elgar: Jesu! by that shuddering dread (The Dream of Gerontius)/ HORACE STEVENS

Murphy & Lipton: Oh! Oh! Antonio/ FLORRIE FORD

Weston & Barnes: When father papered the parlour / BILLY WILLIAMS

Details
  • Product Type: AUDIO CD
  • Barcode: 28948258925
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