Description
Track Listing
Music as a Mirror
SourcesâThe Ancient World And The Early Church
The Middle Ages
Introduction To The Renaissance
The Renaissance Mass
The Madrigal
An Introduction To The Baroque Era
Style Features Of Baroque-era Music
National StylesâItaly And Germany
Fugue
Baroque Opera, Part 1
Baroque Opera, Part 2
The Oratorio
The Lutheran Church Cantata
Passacaglia
Ritornello Form And The Baroque Concerto
The Enlightenment And An Introduction To The Classical Era
The Viennese Classical Style, Homophony, And The Cadence
Classical-era FormâTheme And Variations
Classical-era FormâMinuet And Trio: Baroque Antecedents
Classical-era FormâMinuet And Trio Form
Classical-era FormâRondo Form
Classical-era FormâSonata Form, Part 1
Classical-era FormâSonata Form, Part 2
Classical-era FormâSonata Form, Part 3
The SymphonyâMusic For Every Person
The Solo Concerto
Classical-era OperaâThe Rise Of Opera Buffa
Classical-era Opera, Part 2âMozart And The Operatic Ensemble
The French Revolution And An Introduction To Beethoven
Beethovenâs Symphony No. 5 In C Minor, Op. 67, Part 1
Beethovenâs Symphony No. 5 In C Minor, Op. 67, Part 2
Introduction To Romanticism
Formal Challenges And Solutions In Early Romantic Music
The Program SymphonyâBerliozâs Symphonie Fantastique, Part 1
The Program SymphonyâBerliozâs Symphonie Fantastique, Part 2
19th-Century Italian OperaâBel Canto Opera
19th-Century Italian OperaâGiuseppe Verdi
19th-Century German OperaâNationalism And Experimentation
19th-Century German OperaâRichard Wagner
The Concert Overture, Part 1
The Concert Overture, Part 2
Romantic-era Musical Nationalism
Russian Nationalism
An Introduction To Early 20th-Century Modernism
Early 20th-Century ModernismâClaude Debussy
Early 20th-Century ModernismâIgor Stravinsky
Early 20th-Century ModernismâArnold SchĂśnberg
Details
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