Description
Track Listing
Music as a Mirror
Sources—The Ancient World And The Early Church
The Middle Ages
Introduction To The Renaissance
The Renaissance Mass
The Madrigal
An Introduction To The Baroque Era
Style Features Of Baroque-era Music
National Styles—Italy And Germany
Fugue
Baroque Opera, Part 1
Baroque Opera, Part 2
The Oratorio
The Lutheran Church Cantata
Passacaglia
Ritornello Form And The Baroque Concerto
The Enlightenment And An Introduction To The Classical Era
The Viennese Classical Style, Homophony, And The Cadence
Classical-era Form—Theme And Variations
Classical-era Form—Minuet And Trio: Baroque Antecedents
Classical-era Form—Minuet And Trio Form
Classical-era Form—Rondo Form
Classical-era Form—Sonata Form, Part 1
Classical-era Form—Sonata Form, Part 2
Classical-era Form—Sonata Form, Part 3
The Symphony—Music For Every Person
The Solo Concerto
Classical-era Opera—The Rise Of Opera Buffa
Classical-era Opera, Part 2—Mozart And The Operatic Ensemble
The French Revolution And An Introduction To Beethoven
Beethoven’s Symphony No. 5 In C Minor, Op. 67, Part 1
Beethoven’s Symphony No. 5 In C Minor, Op. 67, Part 2
Introduction To Romanticism
Formal Challenges And Solutions In Early Romantic Music
The Program Symphony—Berlioz’s Symphonie Fantastique, Part 1
The Program Symphony—Berlioz’s Symphonie Fantastique, Part 2
19th-Century Italian Opera—Bel Canto Opera
19th-Century Italian Opera—Giuseppe Verdi
19th-Century German Opera—Nationalism And Experimentation
19th-Century German Opera—Richard Wagner
The Concert Overture, Part 1
The Concert Overture, Part 2
Romantic-era Musical Nationalism
Russian Nationalism
An Introduction To Early 20th-Century Modernism
Early 20th-Century Modernism—Claude Debussy
Early 20th-Century Modernism—Igor Stravinsky
Early 20th-Century Modernism—Arnold Schönberg
Details
- Product Type: BOOK
- Barcode: 9789363050310
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