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Lina Tur Bonet; Jadran Duncumb - Lentropia [CD]

Lina Tur Bonet; Jadran Duncumb - Lentropia [CD]

£16.48
£16.48
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In physics, entropy measures the degree of disorder in a system and the associated arrangement possibilities. Lina Tur Bonet chose this term as the title for her new CD on GLOSSA, on which she - together with theorbist Jadran Duncumb - interprets Italian violin music of the so-called stylus phantasticus.

This style developed in Italy in the late 16th century from the practice of improvisation. It is characterised by extremely expressive playing in which short, sometimes dissonant and bizarre figures, sometimes extreme chromaticism, rapid virtuoso runs and sections with ostinato bass are combined as in a free improvisation.

Johann Mattheson confirmed this impression in his book Der vollkommene Kapellmeister in 1739: 'For this style is the freest and most unrestrained way of setting, singing and playing that one can imagine, since one soon comes up with these and then those ideas, since all kinds of otherwise unusual passages, hidden ornaments, meaningful turns and embellishments are produced, without actual observation of the act and tone; sometimes hasty, sometimes hesitant; sometimes monophonic, sometimes polyphonic; sometimes also for a short time after the act: without sound-mass; yet not without intention to please, to hurry and to astonish. '

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Description

In physics, entropy measures the degree of disorder in a system and the associated arrangement possibilities. Lina Tur Bonet chose this term as the title for her new CD on GLOSSA, on which she - together with theorbist Jadran Duncumb - interprets Italian violin music of the so-called stylus phantasticus.

This style developed in Italy in the late 16th century from the practice of improvisation. It is characterised by extremely expressive playing in which short, sometimes dissonant and bizarre figures, sometimes extreme chromaticism, rapid virtuoso runs and sections with ostinato bass are combined as in a free improvisation.

Johann Mattheson confirmed this impression in his book Der vollkommene Kapellmeister in 1739: 'For this style is the freest and most unrestrained way of setting, singing and playing that one can imagine, since one soon comes up with these and then those ideas, since all kinds of otherwise unusual passages, hidden ornaments, meaningful turns and embellishments are produced, without actual observation of the act and tone; sometimes hasty, sometimes hesitant; sometimes monophonic, sometimes polyphonic; sometimes also for a short time after the act: without sound-mass; yet not without intention to please, to hurry and to astonish. '

Track Listing

Johann Paul von Westhoff: Sonata III in D minor "Imitazione delle Campane"

Giovanni Antonio Pandolfi Mealli: Sonata "La Vinciolina"

Biagio Marini: Romanesca

Giuseppe Colombi: Sarabanda con la scordatura

Samuel Capricornus: Sonata in E minor

Jean-Baptiste Drouart de Bousset: Airs serieux et a boire, XIVe livre "Printemps"

Giovanni Girolamo Kapsberger: Ballo

Giovanni Battista Fontana: Sonata Seconda

Nicola Matteis: Ayres for the violin Preludio in Fantasia

Scaramuccia

Passaggio Rotto

Fantasia

Biagio Marini: Sonata Quarta

Francesco Corbetta: Folias

Nicola Matteis: Ayres for the violin Adagio

Ciaccona sopra la vecchia Sarabanda

Bartolome de Selma y Salaverde: Sonata Terza

Details
  • Genre: Classical
  • Product Type: AUDIO CD
  • Barcode: 8424562247048
  • Release Date: April 18, 2025
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