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Deleuze and Education

Deleuze and Education

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Explore the intersection of philosophy and pedagogy with this insightful work authored by Inna Semetsky and Diana Masny. Published by Edinburgh University Press, this thought-provoking piece delves into the educational theories of Gilles Deleuze, offering a unique perspective on children's learning. With 288 pages of comprehensive analysis, the book challenges traditional educational paradigms and encourages innovative approaches to teaching and learning. Ideal for educators, philosophers, and anyone interested in the transformative power of education, this work invites readers to rethink how knowledge is imparted and understood.
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Explore the intersection of philosophy and pedagogy with this insightful work authored by Inna Semetsky and Diana Masny. Published by Edinburgh University Press, this thought-provoking piece delves into the educational theories of Gilles Deleuze, offering a unique perspective on children's learning. With 288 pages of comprehensive analysis, the book challenges traditional educational paradigms and encourages innovative approaches to teaching and learning. Ideal for educators, philosophers, and anyone interested in the transformative power of education, this work invites readers to rethink how knowledge is imparted and understood.
Track Listing

L'Intuition De Bergson

Introduction

L'Intuition De Bergson

Le Mouvement Irréductible

L'Espace Parcouru (Divisible)

La Reconstitution Du Mouvement

Les Articulations Du Mouvement

La Rencontre Avec Le Cinéma

La PerceptionDu Mouvement Au Cinéma

Bergson Dans L'Histoire De La Pensée Du Mouvement

Le Mouvement En Fonction De Poses Ou D'Instants Privilégiés

Le Mouvement En Fonction D'Instants Quelconques Equidistants

Quand Commence Le Cinéma?

Points Communs Entre La Méthode Antique Et La Méthode Moderne

Bergson Et La Science Moderne

Y A-T-Il Une Pensée Proprement Cinématographique?

De La Philosophie Au Cinéma

L'Image-Mouvement Rapportée Au Centre D'Indétermination

Les Trois Types D'Image-Mouvement: Perception, Action, Affection

Un Exemple D'Image-Perception: Lubitsch "L'Homme Que J'ai Tué"

Un Exemple D'Image-Action: Fritz Lang: Le Début Du Premier Mabuse

Un Exemple D'Image-Affection: Dreyer "La Passion De Jeanne D'Arc"

Genre Du Film D'Après La Dominante Du Type D'Image

Le Western Et L'Image-Perception

Le Montage Perceptif, Actif Et Affectif

Conclusion

Introduction À L'Image Affection

Deux Aspects Du Gros Plan

Visage Et Gros Plan

La Visagéification

"Lulu" De Pabst

Gros Plan Et Metteur En Scène: Griffith Et Eisenstein

Affection, Visage Et Philosophie

Les Images-Mouvement

Le Schème Sensori-Moteur

Description Organique De L'Image

Les Aberrations Du Mouvement

Deux Cas - A) Epstein - B) Dreyer

Le Temps Subordonné Au Mouvement

Le Néoréalisme Italien

Antonioni, Fellini, Visconti

Situations Optiques Et Sonores Pures

Devenir Voyant

Le Trop Beau

La Chance Du Recommencement: Fellini

Le Cristal En Décomposition: Visconti

La Différenciation Du Temps

Les Images Souvenir

De Bergson À Resnais

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  • Product Type: BOOK
  • Barcode: 9780748643028
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