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Rumon Gamba's exploration of the music of Ruth Gipps continues with these world premiere recordings of the Fifth Symphony, Violin Concerto, and Leviathan, performed by the BBC Philharmonic. The acclaimed violinist Charlie Lovell-Jones takes the solo part in the Concerto. Composed in 1943 and conceived for her elder brother, Bryan, the work is large in scale and shows remarkable assurance of touch for a twenty-two-year-old composer. Leviathan, for double-bassoon and orchestra, is performed here by Bill Anderson, contrabassoonist with the BBC Philharmonic. Dating from the late 1960s, the five-minute work demonstrates Gipps's tremendous ability to write for wind instruments and also her skills as an orchestrator which allow the solo line to dominate despite its unusual tessitura. Completed in 1982 and dedicated to Sir William Walton, Gipps's Fifth Symphony is written for large-scale forces (quadruple wind, six horns, two harps, and extensive percussion); its final movement unusually takes the form of a Missa brevis for orches tra. On careful listening it becomes possible to identify the unsung words or phrases of the mass with individual instrumental lines; details of the orchestration, too, reflect the spirit of the liturgical sections.
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Description
Rumon Gamba's exploration of the music of Ruth Gipps continues with these world premiere recordings of the Fifth Symphony, Violin Concerto, and Leviathan, performed by the BBC Philharmonic. The acclaimed violinist Charlie Lovell-Jones takes the solo part in the Concerto. Composed in 1943 and conceived for her elder brother, Bryan, the work is large in scale and shows remarkable assurance of touch for a twenty-two-year-old composer. Leviathan, for double-bassoon and orchestra, is performed here by Bill Anderson, contrabassoonist with the BBC Philharmonic. Dating from the late 1960s, the five-minute work demonstrates Gipps's tremendous ability to write for wind instruments and also her skills as an orchestrator which allow the solo line to dominate despite its unusual tessitura. Completed in 1982 and dedicated to Sir William Walton, Gipps's Fifth Symphony is written for large-scale forces (quadruple wind, six horns, two harps, and extensive percussion); its final movement unusually takes the form of a Missa brevis for orches tra. On careful listening it becomes possible to identify the unsung words or phrases of the mass with individual instrumental lines; details of the orchestration, too, reflect the spirit of the liturgical sections.
Track Listing

Concerto,Op.24 (1943). In B Flat Major For Violin And Orchestra For Bryan Gipps

Moderato - Meno Mosso - A Tempo - Meno Mosso

Andante

Allegro - Adagio(Slower Than Andante Movement) - Tempo Di Marcia - Meno Mosso - L’istesso Tempo - Allegro - Presto

Leviathan,Op.59 (1969) For Double-Bassoon Solo And Chamber Orchestra

Andante Lugubre - Più Mosso - Allegro - Meno Mosso - Andante Lugubre - Allegro

Symphony No.5, Op.64 (1982)

Moderato Maestoso - Allegro Vivace - Andante - Allegro Vivace - Andante - Maestoso - Poco Più Mosso - Meno Mosso

Andante

Scherzo. Allegro - Trio. Meno Mosso - Meno Mosso - Scherzo Da Capo - Coda

Missa Brevis For Orchestra ‘Except The Lord Build The House, They Labour In Vain That Build It.’ - Psalm CXXVII

Kyrie Eleison. Largo - Christe Eleison - Kyrie Eleison -

Gloria In Excelsis Deo - Allegro - Meno Mosso - Et In Terrra Pax Homnibus Bonæ Voluntatis -

Credo In Unum Deum -

Hosanna In Excelsis. Allegro - Benedictus Qui Venit In Nomine Domni. Meno Mosso - Da Capo Dal Hosanna -

Agnus Dei, Qui Tollis Peccata Mundi, Miserere Nobis. Meno Mosso - Dona Nobis Pacem. Largo -

Coda. Allegro Moderato - Largo

Details
  • Genre: Classical
  • Product Type: AUDIO CD
  • Barcode: 95115231920
  • Release Date: April 11, 2025
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