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London Handel Players - Telemann - Paris Quartets 1 [CD]

London Handel Players - Telemann - Paris Quartets 1 [CD]

£17.48
£17.48
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Georg Philipp Telemann (1681-1767) was--to characterize him in contemporary terms--a workaholic, thanks to which we have, amongst his 3,000-plus works, his two sets of marvellously rich Paris Quartets. SOMM Recordings is pleased to release TELEMANN Paris Quartets Volume 1: 6 Quadri, featuring leading period-instrument specialists from The London Handel Players, praised by the New York Times for their "soulful depth" and their "consummate skill and musicianship." At the height of his phenomenal productivity, Telemann held the positions of Kantor at the Johanneum Lateinschule in Hamburg; Kapellmeister to the five largest churches in the city; and Director of the Hamburg Opera. He also had obligations to the courts in Eisenach and Bayreuth. As if that wasn't enough, he embarked on an ambitious project of self-publication of his works. Amongst these were Quartets for violin, flute, viola da gamba or cello, and continuo; divided into 2. Concertos, 2. Ballets, 2. Sonatas. The first set of quartets, or quadri, was published in Hamburg- certainly by 1730 though the exact date is unknown - and such was their popularity that they were republished in Paris by Le Clerc in 1736 without Telemann's permission. It would seem that this prompted him to make a long-awaited visit to the French capital where he stayed for eight months in 1737-38. While there, he composed a second glorious set of quartets, naming his two collections Quadri and Nouveaux Quatuors. In the latter part of the 20th century, the editors of the Telemann Musikalische Werke titled the two sets collectively as The Paris Quartets, by which name we still know them. As their extended title indicates, the Quadri are not six works of the same genre. Instead, they comprise two Italianate concertos, two German-style sonatas, and two Balletti or suites of French dances, bringing together a variety of national styles. The ensemble of London Handel Players is flexible in size, consisting primarily of strings, flute/recorder, and harpsichord. The featured musicians on SOMM's first volume of the Paris Quartets by Telemann are Rachel Brown, flute; Adrian Butterfield, violin; Gavin Kibble, viola da gamba; Sarah McMahon, cello; and Silas Wollston, harpsichord.
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Georg Philipp Telemann (1681-1767) was--to characterize him in contemporary terms--a workaholic, thanks to which we have, amongst his 3,000-plus works, his two sets of marvellously rich Paris Quartets. SOMM Recordings is pleased to release TELEMANN Paris Quartets Volume 1: 6 Quadri, featuring leading period-instrument specialists from The London Handel Players, praised by the New York Times for their "soulful depth" and their "consummate skill and musicianship." At the height of his phenomenal productivity, Telemann held the positions of Kantor at the Johanneum Lateinschule in Hamburg; Kapellmeister to the five largest churches in the city; and Director of the Hamburg Opera. He also had obligations to the courts in Eisenach and Bayreuth. As if that wasn't enough, he embarked on an ambitious project of self-publication of his works. Amongst these were Quartets for violin, flute, viola da gamba or cello, and continuo; divided into 2. Concertos, 2. Ballets, 2. Sonatas. The first set of quartets, or quadri, was published in Hamburg- certainly by 1730 though the exact date is unknown - and such was their popularity that they were republished in Paris by Le Clerc in 1736 without Telemann's permission. It would seem that this prompted him to make a long-awaited visit to the French capital where he stayed for eight months in 1737-38. While there, he composed a second glorious set of quartets, naming his two collections Quadri and Nouveaux Quatuors. In the latter part of the 20th century, the editors of the Telemann Musikalische Werke titled the two sets collectively as The Paris Quartets, by which name we still know them. As their extended title indicates, the Quadri are not six works of the same genre. Instead, they comprise two Italianate concertos, two German-style sonatas, and two Balletti or suites of French dances, bringing together a variety of national styles. The ensemble of London Handel Players is flexible in size, consisting primarily of strings, flute/recorder, and harpsichord. The featured musicians on SOMM's first volume of the Paris Quartets by Telemann are Rachel Brown, flute; Adrian Butterfield, violin; Gavin Kibble, viola da gamba; Sarah McMahon, cello; and Silas Wollston, harpsichord.
Track Listing

French Harpsichord Music - Le Clavecin Français

François Couperin (1668-1733)

Vingt-Cinquième Ordre

La Visionnaire. Gravement Et Marqué

La Mistérieuse. Modérément

La Montflambert. Tendrement, Sans Lenteur

La Muse Victorieuse. Audacieusement

Les Ombres Errantes. Languissamment

Vingt-Sixième Ordre

La Convalescente

Gavotte

La Sophie

L'Epineuse

La Pantomime. Gayement et Marqué, Et D'Une Grande Précision

Sixième Ordre

Les Moissonneurs. Gayement

Les Langueurs Tendres

Le Gazouillement, Rondeau. Gracieusement Et Coulé

La Bersan. Légèrement

Les Baricades Mistérieuses, Rondeau. Vivement

Les Bergeries, Rondeau. Naïvement

La Commère. Vivement

Le Moucheron. Légèrement

Jean-Philippe Rameau (1683-1764)

Pièces De Clavecin En Concerts

Premier Concert

La Coulicam

La Livri

Le Vézinet

Cinquième Concert

La Forqueray

La Cupis

La Marais

L'Indiscrète, Pour Clavecin Seul

The Twilight Of Lamentation - Le Crépuscule De La Déploration

André Campra (1660-1744)

Messe De Requiem

Giovanni Battista Pergolesi (1710-1736)

Stabat Mater - For Soprano, Alto, Strings & Basso Continuo

I. Duo: Stabat Mater Dolorosa

II. Aria (Soprano): Cujus Animam Gementem

III. Duo: O Quam Tristis Et Afflicta

IV. Aria (Alto): Quae Moerebat Et Dolebat

V. Duo: Quis Est Homo, Qui Non Fleret

VI. Aria: Vidit Suum Dulcem Natum

VII. Aria (Alto): Eja, Mater, Fons Amoris

VIII. Duo: Fac, Ut Ardeat Cor Meum

IX. Duo: Sancta Mater, Istud Agas

X. Aria (Alto): Fac, Ut Portem Christi Mortem

XI. Duo: Inflammatus Et Accensus

XII. Duo: Quando Corpus Morietur - Amen

Oratorio: Solomon Part I

George Frederic Handel (1685-1759)

Solomon - Part I. An Oratorio (1749) After II. Chronicles, I. Kings and Josephus Antiquities

Act One

No.1 Overture

Scene 1

No.2 Chorus Of Priests

No.3 Air. Levite

No.4 Chorus Of Priests

No.5 Accompagnato. Solomon

No.6 Recitative. Zadok

No.7 Air. Zadok

No.8 Chorus Of Israelites

No.9 Recitative. Solomon

No.10 Air. Solomon

Scene 2

No.11 Recitative. Solomon

No.12 Air. Queen

No.13 Recitative. Queen, Solomon

No.14 Duet. Queen, Solomon

No.17 Recitative. Solomon

No.18 Air. Solomon

No.19 Recitative. Queen

No.20 Air. Queen

No.21 Recitative. Zadok

No.22 Chorus

Act Two

Scene 1

No.23 Chorus Of Israelites

No.24 Recitative. Solomon

No.25 Air. Solomon

No.26 Recitative. Levite

No.27 Air. Levite

Scene 2

No.28 Recitative. Attendant, Solomon

No.29 Trio. Solomon, Two Harlots

Oratorio: Solomon Part II

No. 30 Recitative. Solomon, 2nd Harlot

No.31 Air. Second Harlot

No.32 Recitative. First Harlot

No.33 Air. First Harlot

No.34 Accompagnato. Solomon

No.35 Duet. First Harlot, Solomon

No.36 Chorus Of Israelites

No.37 Recitative. Zadok

No.38 Air. Zadok

No.39 Recitative. First Harlot

No.40 Air. First Harlot

No.41 Chorus Of Priests

Act Three

No.42 Symphony: Arrival Of The Queen Of Sheba

No.43 Recitative. Queen Of Sheba, Solomon

No.44 Air. Queen Of Sheba

No.45 Recitative. Solomon

No.46 Solo. Solomon And Israelites

No.47 Solo. Solomon And Israelites

No.48 Recitative. Solomon

No.49 Chorus Of Israelites

No.50 Recitative. Solomon

No.51 Solo. Solomon And Israelites

No.52 Recitative. Queen Of Sheba

No.53 Recitative. Zadok

No.54 Air. Zadok

No.55 Recitative. Solomon

No.56 Air. Solomon

No.57 Recitative. Queen Of Sheba

No.58 Air. Queen Of Sheba

No.59 Recitative. Solomon

No.60 Duet. Queen Of Sheba, Solomon

No.61 Double Chorus

The Apotheosis Of The Baroque Concerto - L'Apogée Du Concerto Baroque

Antonio Vivaldi (1678-1741)

Le Quattro Stagioni

La Primavera

L'Estate

L'Autunno

L'Inverno

Georg Philipp Telemann (1681-1767)

Violin Concerto 'The Frogs'

Johann Sebastian Bach (1685-1750)

Brandenburg Concerto No.6 BWV 1051 - In B Flat Major

George Frideric Handel (1685-1759)

Concerto Pour Orgue Op.4 No.3 - In G Minor

Concerto: The Conquest Of Europe - À La Conquête De L'Europe

Giuseppe Tartini (1692-1770)

Concerto Grosso No.5 - In C Major

Concerto For Violon And Orchestra "À Lunardo Venier" - In A Minor

Georg Matthias Monn (1717-1750)

Concerto For Violoncello, Harpsichord And String Orchestra - In G Minor

Carl Philipp Emanuel Bach (1714-1788)

Harpsichord Concerto No.5 Wq.43

Johann Christian Bach (1735-1782)

Concerto For Harpsichord, Two Violons & Violoncello Op. 7 No. 5 - In E Flat Major

Concerto: From Paris To Vienna - De Paris À Vienne

Joseph Haydn (1732-1809)

Violin Concerto No.1 Hob. VIIa:1 - In C Major

Wolfgang Amadeus Mozart (1756-1791)

Concerto K.107 No.2 - In G Major (After The Keyboard Sonata Op.5 No.3 By J.C. Bach)

Symphonie Concertante K.297-b - In E Flat Major

Ignaz Joseph Pleyel (1757-1831)

Violoncello Concerto Ben.106 - C Major

The Classical Concerto - Le Concerto Classique

Wolfgang Amadeus Mozart (1756-1791)

Piano Concerto No.21 K.467 - In C Major

Ludwig Van Beethoven (1770-1827)

Piano Concerto No.2 Op.19 - In B Flat Minor

From 'Sinfonia' To 'Sinfonie' - De La Sinfonia À La Sinfonie…

Giovanni Battista Sammartini (1700-1775)

Sinfonia In D Major JC14

Sinfonia In G Major JC39

Wilhelm Friedemann Bach (1710-1784)

Sinfonie In F Major Falck 67

Carl Philipp Emanuel Bach (1714-1788)

Orchester-Sinfonie No.1 Wq.183/1 - In D Major

Johann Christian Bach (1735-1782)

Symphony In G Minor Op.6 No.6

Luigi Boccherini (1743-1805)

Symphony 'La Casa Del Diavolo' Op.12 No.4, G.506

Symphony: Orchestral Performance - Symphonie : Performance D'Orchestre

Joseph Haydn (1732-1809)

Symphony No.6 'Le Matin' Hobs I:6 - In D Major

Symphony No.7 'Le Midi' Hobs. I:7 - In C Major

Wolfgang Amadeus Mozart (1756-1791)

Symphony No.31 'Paris' K.297 - In D Major

Symphony: The Monuments Of Classicism - Symphonie : Les Monuments Classiques

Joseph Haydn (1732-1809)

Symphony No.92 'Oxford' - In G Major

Wolfgang Amadeus Mozart (1756-1791)

Symphony No.41 'Jupiter' K. 551 - In C Major

Symphony: 'The Ninth' - Symphonie : 'La Neuvième'

Ludwig Van Beethoven (1770-1827)

Symphonie No.9 Op.125 - In D Minor

The Last Glories Of 'Tragédie Lyrique' - Les Derniers Feux De La Tragédie Lyrique

Jean-Philippe Rameau (1683-1764)

Castor & Pollux - Part I

Prologue

Ouverture

Scène I : Minerve, L'Amour, Choeurs Des Arts Et Des Plaisirs

Choeurs Des Arts Et Des Plaisirs : "Vénus, Ô Vénus"

Symphonie

Scène II : Minerve, L'Amour, Vénus Et Leurs Suites, Mars

Mars : "Je Vous Revois, Belle Déesse"

Gavottes. L'Amour : "Renais, Plus Brillante"

Premier Menuet. Tambourin. L'Amour, Choeur : "Naissez, Dons De Flore"

Deuxième Menuet. Tambourin. Minerve : "D'Un Spectacle Nouveau". Ouverture (Reprise)

Acte Premier

Scène I

Troupe De Spartiates : "Que Tout Gémisse"

Scène II

Télaïre, Phébé : "Où Courez-Vous ?"

Scène III

Télaïre : "Tristes Apprêts, Pâles Flambeaux"

Scène IV - Pollux, Télaïre, Troupes De Spartiates & D'Athlètes

Symphonie Guerrière. Télaïre : "D'Où Partent Ces Cris Nouveaux ?". Premier Air Pour Les Athlètes : "Eclatez, Fières Trompettes"

Deuxième Et Troisième Airs Des Athlètes

Scène V

Télaïre, Pollux : "Je Remets À Vos Pieds Ces Dépouilles Sanglantes"

Premier Air Pour Les Athlètes (Reprise)

Castor & Pollux - Part II

Acte Deuxième

Scène I

Pollux : "Nature, Amour, Qui Partagez Mon Coeur" - Scène II - Pollux, Télaïre

Scène III - Pollux, Télaïre, Le Grand-Prêtre De Jupiter, Choeur Des Prêtres

Le Grand-Prêtre : "Le Souverain Des Dieux"

Scène IV

Jupiter, Pollux : "Ma Voix, Puissant Maître Du Monde"

Scène V - Pollux, Hébé Et Sa Suite, Les Plaisirs Célestes

Entrée D'Hébé Et De Sa Suite : "Connaissez Notre Puissance"

Air Gracieux Pour Hébé Et Ses Suivantes : "Qu'Hébé De Fleurs"

Deuxième Air Pour Hébé Et Ses Suivantes. Un Plaisir : "Voici Des Dieux". Entrée D'Hébé (Reprise)

Acte Troisième

Scène I - Phébé, Choeur Des Spartiates

Phébé : "Rassemblez-Vous, Peuples". Scène II - Pollux, Phébé, Le Peuple

Scène III - Pollux, Phébé, Télaïre

Télaïre : "Son Char A Reculé Tout À Coup À Mes Yeux"

Scène IV - Pollux, Télaïre, Phébé, Démons

Phébé : "Sortez D'Esclavage". Premier Air Des Démons

Choeur Des Démons : "Brisons Tous Nos Fers". Deuxième Air Des Démons

Scène V

Phébé : "Tout Céde À Ce Héros Vainqueur". Premier Air Des Démons (Reprise)

Castor & Pollux - Part III

Acte Quatrième

Scène I

Castor : "Séjour De L'Éternelle Paix"

Scène II

Choeur Des Ombres Heureuses : "Qu'Il Soit Heureux Comme Nous"

Loure. Une Ombre : "Ici Se Lève L'Aurore"

Gavotte. Une Ombre : "Sur Les Ombres Fugitives"

Passepieds. Une Autre Ombre : "Autant D'Amours Que De Fleurs"

Choeur : "Fuyez, Fuyez, Ombres Légères". Scène III - Pollux : "Rassurez-vous, Habitants Fortunés" - Scène IV - Pollux, Castor, Les Ombres. Pollux : "Mais, Qui S'Offre À Mes Yeux"

Choeurs Des Ombres : "Revenez, Revenez Sur Les Rivages Sombres". Gavotte (Reprise)

Acte Cinquième

Scène I

Phébé : "Castor Revoit Le Jour"

Scène II

Castor, Télaïre : "Le Ciel Est Donc Touché". Scène III - Castor, Télaïre, Troupe Des Spartiates : "Vivez, Heureux Époux"

Castor : "Peuples, Éloignez-Vous". Scène IV - Castor, Télaïre : "Eh Quoi ! Tous Ces Objets Ne Peuvent T'Attendrir ?"

Télaïre : "Qu'Ai-je Entendu ! Quel Bruit !"

Scène V - Jupiter, Télaïre, Castor

Jupiter : "Les Destins Sont Contents". Scène VI - Jupiter, Télaïre, Castor, Pollux. Castor : "Mon Frère… Ô Ciel !"

Jupiter : "Palais De Ma Grandeur Où Je Dicte Mes Lois". Scène VII - Les Astres, Planètes, Satellites, Dieux & Les Mêmes. Jupiter : "Tant De Vertus Doivent Prétendre"

Entrée Des Astres. Gigue

Ariette. Une Planète : "Brillez, Brillez, Astres Nouveaux"

Chaconne. Choeur : "Que Les Cieux, Que La Terre Et L'Onde"

Gluck's Reform - La Réforme Gluckiste

Christoph Willibald Gluck (1714-1787)

Orfeo Ed Euridice - Part I

Overtura

Atto Primo

Scena 1 (Orfeo Ed Il Coro)

Coro: Ah! Se Intorno a Quest'urna Funesta

Orfeo (Recitativo): Basta, Basta, O Compagni!

Ballo. Larghetto

Coro: Ah, Se Intorno a Quest'urna Funesta

Orfeo (Aria): Chiamo Il Mio Ben Così

Orfeo (Recitativo): O Numi! Barbari Numi

Scena 2 (Amor Ed Orfeo)

Amore (Aria): Gli Sguardi Trattieri

Orfeo (Recitativo): Che Disse! Che Ascoltai!

Atto Secondo

Scena 1 (Orfeo Ed Il Coro)

Ballo E Coro. Maestoso: Chi Mai Dell'Erebo

Ballo E Coro. Presto: Chi Mai Dell'Erebo

Ballo E Aria Con Coro. Maestoso: Deh! Placatevi Con Me

Coro: Misero Giovane!

Orfeo (Aria): Mille Pene, Ombre Moleste

Coro: Ah! Quale Incognito - Orfeo (Aria): Men Tiranne Ah, Voi Sareste - Coro: Ah! Quale Incognito

Orfeo Ed Euridice - Part II

Scena 2 (Orfeo Ed Coro)

Ballo. Andante

Orfeo: Che Puro Ciel!

Coro: Vieni Ai Regni Del Riposo

Ballo. Andante

Orfeo (Recitativo): Anime Avventurose

Coro: Torna, O Bella, Al Tuo Consorte

Atto Terzo

Scena 1 (Orfeo Ed Euridice)

Orfeo Ed Euridice (Recitativo): Vieni! Segui I Miei Passi

Orfeo Ed Euridice (Aria): Vieni, Appaga Il Tuo Consorte!

Orfeo (Recitativo Ed Aria): Qual' Vita È Questa Mai

Orfeo Ed Euridice (Recitativo): Ecco Un Nuovo Tormento!

Orfeo (Aria): Che Farò Senza Euridice?

Orfeo, Amore De Euridice (Recitativo): Ah! Finisca E Per Sempre

Scena 2 (Orfeo, Euridice Ed Amore)

Scena 3 E Ultima (Tutti)

Ballo Ultimo. Maestoso

Ballo. Grazioso

Ballo. Allegro

Ballo. Andante

Ballo. Allegro

Coro, Orfeo, Amore Ed Euridice: Trionfi Amore, E Il Mondo Intiero

The Spirit Of The People - L'Esprit Du Peuple

Wolfgang Amadeus Mozart (1756-1791)

Le Nozze Di Figaro - Part I

Sinfonia

Atto Primo

Scene 1 & 2

N.1 Duettino Figaro, Susanna: Cinque… Dieci… Venti…

Recitativo Susanna, Figaro: Cosa Stai Misurando

N.2 Duettino Figaro, Susanna: Se A Caso Madama

Recitativo Susanna, Figaro: Or Bene Ascolta, E Taci

N.3 Cavatina Figaro: Se Vuol Ballare

Scena 3

Recitativo Marcellina, Susanna: Ed Aspettate Il Giorno

N.4 Aria Bartolo: La Vendetta, Oh, La Vendetta

Scena 4

Recitativo Marcellina, Susanna: Tutto Ancor Non Ho Perso

N.5 Duettino Marcellina, Susanna: Via, Resti Servita

Scena 5

Recitativo Susanna, Cherubino: Va Là, Vecchia Pedante

N.6 Aria Cherubino: Non So Più Cosa Son

Scene 6 & 7

Recitativo Cherubino, Susanna, Il Conte, Basilio: Ah, Son Perduto!

N.7 Terzetto Il Conte, Basilio, Susanna: Cosa Sento! Tosto Andate

Recitativo Il Conte, Susanna, Cherubino, Basilio: Basilio, In Traccia Tosto

Scena 8

N.8 Coro: Giovani Liete

Recitativo Il Conte, Susanna, Figaro: Cos'è Questa Commedia?

N.9 Coro: Giovani Liete

Recitativo Figaro, Susanna, Basilio, Cherubino, Il Conte: Evviva!

N.10 Aria Figaro: Non Più Andrai

Le Nozze Di Figaro - Part II

Atto Secondo

Scena 1

N.11 Cavatina La Contessa: Porgi, Amor

Recitativo La Contessa, Susanna, Figaro: Vieni, Cara Susanna

Scena 2

Recitativo La Contessa, Susanna, Cherubino: Quanto Duolmi, Susanna

N.12 Arietta Cherubino: Voi Che Sapete

Recitativo La Contessa, Susanna, Cherubino: Bravo! Che Bella Voce!

N.13 Aria Susanna: Venite Inginocchiatevi…

Recitativo La Contessa, Susanna, Cherubino, Il Conte: Quante Buffonerie!

Scena 3

Recitativo Il Conte, La Contessa: Che Novità! Non Fu Mai

N.14 Terzetto Il Conte, La Contessa, Susanna: Susanna, Or Via, Sortite

Recitativo Il Conte, La Contessa: Dunque, Voi Non Aprite?

Scena 4

N.15 Duettino Susanna, Cherubino: Aprite, Presto, Aprite

Recitativo Susanna: O Guarda Il Demonietto!

Scene 5-8

Recitativo Il Conte, La Contessa: Tutto È Come Io Lasciati

N.16 Finale Il Conte, La Contessa: Esci, Ormai, Garzon Malnato

Scena 9

Figaro, Il Conte, Susanna, La Contessa: Signori, Di Fuori

Scene 10 & 11

Antonio, Il Conte, Susanna, La Contessa, Figaro: Ah, Signor… Signor

Marcellina, Basilio, Bartola, Il Conte, Susanna, La Contessa, Figaro: Voi Signor, Che Giusto Siete

Atto Terzo

Scene 1-3

Recitativo Il Conte, La Contessa, Susanna: Che Imbarazzo È Mai Questo!

N.17 Duettino Il Conte, Susanna: Crudel! Perché Finora

Recitativo Il Conte, Susanna, Figaro: E Perché Fosti Meco

Scena 4

N.18 Recitativo E Aria Il Conte: Hai Già Vinta La Causa!

Le Nozze Di Figaro - Part III

Scena 5

Recitativo Don Curzio, Marcellina, Figaro, Il Conte, Bartolo: È Decisa La Lite

N.19 Sestetto Marcellina, Figaro, Bartolo, Don Curzio, Il Conte, Susanna: Ricomosci In Questo Ampleso

Scene 6 & 7

Recitativo Marcellina, Bartolo, Figaro, Susanna: Eccovi, O Caro Amico

Scena 8

N.20 Recitativo E Aria La Contessa: E Susanna Non Vien!

Scene 9 & 10

Recitativo Antonio, Il Conte: Io Vi Dico, Signor

N.21 Duettino Susanna, La Contessa: Su L'Aria…

Scene 11-14

N.22 Coro: Ricevete, O Padroncina

Recitativo Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino: Queste Sono, Madama

N.23 Finale Figaro, Susanna, Il Conte, La Contessa, 2 Ragazze, Coro: Ecco La Marcia

Atto Quarto

Scena 1

N.24 Cavatina Barbarina: L'Ho Perduta… Me Meschina!

Scene 2-4

Recitativo Figaro, Barbarina, Marcellina: Barbarina Co' Hai

N.25 Aria Marcellina: Il Capro E La Capretta

Scene 5-7

Recitativo Barbarina, Figaro, Bartolo, Basilio: Nel Padiglione A Manca

N.26 Aria Basilio: In Quegl'Ammi In Cui Val Poco

Scena 8

N.27 Recitativo E Aria Figaro: Tutto È Disposto

Scene 9 & 10

Recitativo Susanna, La Contessa Travestite, Marcellina: Signora, Ella Mi Disse

N.28 Recitativo E Aria Susanna: Giunse Alfin Il Momento

Scene 11-14

Recitativo Figaro, Cherubino, La Contessa Travestite: Perfìda! E In Quella Forma

N.29 Finale Cherubino, La Contessa Travestite, Il Conte, Susanna, Figaro: Pian Pianin Le Andrò

Il Conte: Non La Trovo

Scena Ultima

Il Conte, Figaro, Basilio, Antonio, Susanna, Barbarina, Cherubino, La Contessa: Gente, Gente

'A Tre', The Baroque Trio Sonata - La Sonate En Trio Baroque

Antonio Vivaldi (1678-1741)

Sonata In C Minor RV 53 - For Oboe, Violoncello, Harpsichord & Archilute

Georg Philipp Telemann (1681-1767)

Sonata In A Minor TWV 41:a3 - From Der Getreue Music-Meister

Johann Sebastian Bach (1685-1750)

Sonata Sopr'il Soggetto Reale - From The Musical Offering BWV 1079 - For Flute, Violin & Basso Continuo

Carl Philipp Emanuel Bach (1714-1788)

Sonata In F Major Wq.154 - For Two Violins & Basso Continuo

Johann Christoph Friedrich Bach (1732-1795)

Sonata In A Major F.VII/2 - For Two Violins & Basso Continuo

Johann Schobert (1740?-1767)

Sonata In F Major Op.XVI No.4 - For Fortepiano, Violin & Violoncello

'A Tre', From The Sonata To The Classical Trio - De La Sonate Au Trio Classique

Johann Kuhnau (1660-1722)

Frische Clavier Früchte

Suonata Terza

Suonata Quinta

Suonata Settima

Jean-Joseph Mondonville (1711-1772)

Pièces De Clavecin Avec Voix Et Violon Op.5

Paratum Cor Meum (Ps. 56, 10)

In Domino Laudabitur (Ps. 33, 2)

Wolfgang Amadeus Mozart (1756-1791)

Sonata In F Major K.376

Sonata In G Major K.379

'A Tre', The Keyboard Trio - Le Trio Avec Piano

Joseph Haydn (1732-1809)

Trio In C Major No.43 Hob.XV:27

Wolfgang Amadeus Mozart (1756-1791)

Trio In G Major K.496

Ludwig Van Beethoven (1770-1827)

Trio In C Minor Op.1 No.3 - For Piano, Violin & Violoncello

The Classical Sonata: Joseph Haydn - Les Grandes Sonates Pour Piano

Joseph Haydn (1732-1809)

Sonata In C Minor No.33 Hob.XVI:20

Sonata In D Major No.39 Hob.XVI:24

Sonata In C Major No.60 Hob.XVI:50

Sonata In E Flat Major No.62 Hob.XVI:52

The Classical Sonata: Wolfgang Amadeus Mozart - Les Grandes Sonates Pour Piano

Wolfgang Amadeus Mozart (1756-1791)

Sonata In E Flat Major K.282

Sonata In C Major K.330

Sonata In F Major K.332

Sonata In C Minor K.457

The Classical Sonata: Ludwig Van Beethoven - Les Grandes Sonates Pour Piano

Ludwig Van Beethoven (1770-1827)

Sonata In F Minor No.1 Op.2 No.1

Sonata In D Minor no.17 'The Tempest' op.31 No.2

Sonata In E Flat Major No.21 'Waldstein' op.53

The Birth Of The Quartet - La Naissance Du Quatuor

Georg Philipp Telemann (1681-1767)

Sonata Prima In A Major - For Flute, Violin, Violoncello & Basso Continuo - Parisian Quartet No.4

Wolfgang Amadeus Mozart (1756-1791)

String Quartet In C Major No.4 K.157

Joseph Haydn (1732-1809)

String Quartet In C Major Op.33/3 Hob.III:39

Carl Stamitz (1745-1801)

Oboe Quartet In D Major Op.8

The Great Classical Quartets - Les Grands Quatuors Classiques

Wolfgang Amadeus Mozart (1756-1791)

String Quartet In B Flat Major no.17 K.458 The Hunt

Joseph Haydn (1732-1809)

String Quartet In D Minor Op.76 No.2 Hob.III:76

Ludwig Van Beethoven (1770-1827)

String Quartet In B Flat Major Op.18 No.6

Ludwig Van Beethoven: The 'Late Quartets' - Les Derniers Quatuors

Ludwig Van Beethoven (1770-1827)

String Quartet In B Flat Major No.13 Op.130

String Quartet In F Major No.16 Op.135

Details
  • Genre: Classical
  • Product Type: AUDIO CD
  • Barcode: 748871069824
  • Release Date: March 14, 2025
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