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Roberta Invernizzi - O Dolcezze Amarissime: Madrigali / Ricercari And Canzoni Strumentali From 17th Century Italy [CD]

Roberta Invernizzi - O Dolcezze Amarissime: Madrigali / Ricercari And Canzoni Strumentali From 17th Century Italy [CD]

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A never before released recording of Alberto Rasi and Roberta Invernizzi recorded in 2012 comprising madrigals composed at the turn of the 17th century for solo voice accompanied by a consort of viols. As usual with Rasi's well-conceived projects, the vocal pieces are interspersed with instrumental ones resulting in a thoroughly pleasing listening experience.

Written and visual sources testify that the practice of combining vocal lines and instruments was common when performing polyphonic works. Long before the rise of accompanied monody, the practice of 'concerted' madrigals had translated the theoretic concept of musica poetica into practical performance formulas which did justice to the intelligibility of words and texts. The combination of a solo vocal line and accompaniment by a consort of viols seems ideal in order to render the text completely and intelligibly, while keeping the sound structure of polyphony intact at the same time.

Roberta Invernizzi - Soprano
Alberto Rasi - Viola
Claudia Pasetto - Viola
Riccardo Coelati Rama - Cello
Leonardo Bortolotto - Viola

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'when you have a singer of the quality of Roberta Invernizzi, and Alberto Rasi's intelligent direction, the emotional clarity of the performances is deeply affecting.' \x96 BBC Music Magazine (4 stars)

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'Roberta Invernizzi is the ideal interpreter of the vocal parts. She has a clear voice and sings with admirable flexibility; the text is clearly intelligible. The Accademia Strumentale Italiana has a vocal style of playing, which includes a fine dynamic shading.' \x96 Music Web International

Gesualdo da Venosa: Asciugate i begli occhi - Quinto libro de madrigali a 5 voci

Marenzio: Due rose fresche (1* parte)

Marenzio: Non vede un simil par (2* parte) - Quinto libro a 5 (01:37)

Frescobaldi: Canzon Seconda a 4 Sopra Romanesca - Canzoni da sonare, Libro I

Gesualdo da Venosa: Se vi duol il mio duolo - Quinto libro de madrigali a 5 voci

Guami: Canzon XI La Morale - Canzoni da sonare

Gabrieli: Da quei begl'occhi - in Andrea Gabrieli, Terzo Libro a 5

de Wert: Ah, dolente partita! - Undecimo libro a 5

Gabrieli: Donna leggiadra e bella - De floridi virtuosi d'Italia ... primo libro a 5

Luzzaschi: Ricercare X - Il Secondo Libro de Ricercari a quattro voci

de Wert: Dolcezze amarissime d'amore - Undecimo libro a 5

de Wert: Vago augelletto che cantando vai (1* parte)

de Wert: Io non so se la parti sarian pari (2* parte) - Nono libro di madrigali a 5 e a 6

Merula: Canzon La Merula - Primo Libro delle Canzoni a 4 voci

Monteverdi: La bocca onde l'asprissime parole - Secondo libro de madrigali a 5 voci

Monteverdi: O tenebroso giorno - Quinto libro di madrigali

Trabaci: Canzone Francesa Settima cromatica Ricercate - canzone francese

Gesualdo da Venosa: Piagne e sospira - Quarto libro de madrigali a 5 voci

Guami: Canzon VIII La Gentile - Canzoni da sonare

Monteverdi: Cantai un tempo - e se fu dolce il canto, Secondo libro di madrigal

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Description
Please Note Not All Our New Items Are Shrink Wrapped.All items shipped within 3 working days of payment.

A never before released recording of Alberto Rasi and Roberta Invernizzi recorded in 2012 comprising madrigals composed at the turn of the 17th century for solo voice accompanied by a consort of viols. As usual with Rasi's well-conceived projects, the vocal pieces are interspersed with instrumental ones resulting in a thoroughly pleasing listening experience.Written and visual sources testify that the practice of combining vocal lines and instruments was common when performing polyphonic works. Long before the rise of accompanied monody, the practice of 'concerted' madrigals had translated the theoretic concept of musica poetica into practical performance formulas which did justice to the intelligibility of words and texts. The combination of a solo vocal line and accompaniment by a consort of viols seems ideal in order to render the text completely and intelligibly, while keeping the sound structure of polyphony intact at the same time.

Roberta Invernizzi - SopranoAlberto Rasi - ViolaClaudia Pasetto - ViolaRiccardo Coelati Rama - CelloLeonardo Bortolotto - Viola

r

'when you have a singer of the quality of Roberta Invernizzi, and Alberto Rasi's intelligent direction, the emotional clarity of the performances is deeply affecting.' x96 BBC Music Magazine (4 stars)

rr

'Roberta Invernizzi is the ideal interpreter of the vocal parts. She has a clear voice and sings with admirable flexibility; the text is clearly intelligible. The Accademia Strumentale Italiana has a vocal style of playing, which includes a fine dynamic shading.' x96 Music Web International

Gesualdo da Venosa: Asciugate i begli occhi - Quinto libro de madrigali a 5 voci

Marenzio: Due rose fresche (1* parte)

Marenzio: Non vede un simil par (2* parte) - Quinto libro a 5 (01:37)

Frescobaldi: Canzon Seconda a 4 Sopra Romanesca - Canzoni da sonare, Libro I

Gesualdo da Venosa: Se vi duol il mio duolo - Quinto libro de madrigali a 5 voci

Guami: Canzon XI La Morale - Canzoni da sonare

Gabrieli: Da quei begl'occhi - in Andrea Gabrieli, Terzo Libro a 5

de Wert: Ah, dolente partita! - Undecimo libro a 5

Gabrieli: Donna leggiadra e bella - De floridi virtuosi d'Italia ... primo libro a 5

Luzzaschi: Ricercare X - Il Secondo Libro de Ricercari a quattro voci

de Wert: Dolcezze amarissime d'amore - Undecimo libro a 5

de Wert: Vago augelletto che cantando vai (1* parte)

de Wert: Io non so se la parti sarian pari (2* parte) - Nono libro di madrigali a 5 e a 6

Merula: Canzon La Merula - Primo Libro delle Canzoni a 4 voci

Monteverdi: La bocca onde l'asprissime parole - Secondo libro de madrigali a 5 voci

Monteverdi: O tenebroso giorno - Quinto libro di madrigali

Trabaci: Canzone Francesa Settima cromatica Ricercate - canzone francese

Gesualdo da Venosa: Piagne e sospira - Quarto libro de madrigali a 5 voci

Guami: Canzon VIII La Gentile - Canzoni da sonare

Monteverdi: Cantai un tempo - e se fu dolce il canto, Secondo libro di madrigal

Track Listing

Gesualdo da Venosa: Asciugate i begli occhi - Quinto libro de madrigali a 5 voci

Marenzio: Due rose fresche (1* parte)

Marenzio: Non vede un simil par (2* parte) - Quinto libro a 5 (01:37)

Frescobaldi: Canzon Seconda a 4 Sopra Romanesca - Canzoni da sonare, Libro I

Gesualdo da Venosa: Se vi duol il mio duolo - Quinto libro de madrigali a 5 voci

Guami: Canzon XI La Morale - Canzoni da sonare

Gabrieli: Da quei begl'occhi - in Andrea Gabrieli, Terzo Libro a 5

de Wert: Ah, dolente partita! - Undecimo libro a 5

Gabrieli: Donna leggiadra e bella - De floridi virtuosi d'Italia ... primo libro a 5

Luzzaschi: Ricercare X - Il Secondo Libro de Ricercari a quattro voci

de Wert: Dolcezze amarissime d'amore - Undecimo libro a 5

de Wert: Vago augelletto che cantando vai (1* parte)

de Wert: Io non so se la parti sarian pari (2* parte) - Nono libro di madrigali a 5 e a 6

Merula: Canzon La Merula - Primo Libro delle Canzoni a 4 voci

Monteverdi: La bocca onde l'asprissime parole - Secondo libro de madrigali a 5 voci

Monteverdi: O tenebroso giorno - Quinto libro di madrigali

Trabaci: Canzone Francesa Settima cromatica Ricercate - canzone francese

Gesualdo da Venosa: Piagne e sospira - Quarto libro de madrigali a 5 voci

Guami: Canzon VIII La Gentile - Canzoni da sonare

Monteverdi: Cantai un tempo - e se fu dolce il canto, Secondo libro di madrigal

Details
  • Genre: Classical
  • Product Type: AUDIO CD
  • Barcode: 608917241921
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