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Billie Holiday - All Or Nothing At All (+1 Bonus Track) (Limited Edition) [VINYL]

Billie Holiday - All Or Nothing At All (+1 Bonus Track) (Limited Edition) [VINYL]

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Brand New From Reputable UK Company With 30 Years Experience In Retail, Please Note Not All Our New Items Are Shrink Wrapped.
All items shipped within 3 working days of payment.
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We take every step to ensure your vinyl purchase is delivered to you in the same pristine condition as when it leaves our packing area. We have selected very robust 12 inch mailers in order to protect your valuable vinyl throughout its journey to your doorstep. Even when handled incorrectly, your item should still arrive in tip-top condition.


THE COMPLETE LP + BONUS TRACK - 180-GRAM VIRGIN VINYL LIMITED EDITION.

All or Nothing at All is a studio album from 1958 on Norman Granz's Verve Records label. Featuring twelve songs taken from five different recording sessions that took place in 1956 and 1957, a period when some thought Billie Holiday was in vocal decline, a thought not shared by Mile Davis it must be said:

'I'd rather hear [Billie Holiday] now. She's become more mature. Sometimes you can sing words every night for five years, and all of a sudden it dawns on you what the song means.... So with Billie, you know she's not thinking now what she was in 1937, and she's probably learned more about different things. And she still has control, probably more control now than she did back then. No, I don't think she's in decline.'-- MILES DAVIS, 1958.

--

'For these sessions, Granz assembled a wonderful group of musicians who shined as much when backing Holiday as they did on their solos. The front line was covered by Harry Edison and Ben Webster, both longtime friends of Holiday and each a specialist in accompanying vocalists. Holiday's pianist was the exceptionally sensitive Jimmy Rowles, who had rehearsed the songs with Holiday before the sessions. Barney Kessel provided both harmonic and melodic support on guitar, and the rhythm section was filled out with Red Mitchell and Joe Mondragon alternating on bass, and Al Stoller and Larry Bunker swapping duties on drums. All of these musicians were based in LA at the time and had all worked together, so the fine ensemble playing was a given, and the group easily put together all of the arrangements on the recording dates.' - AllMusic: Jim Lennon May 6, 2022

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Description
Please Note Not All Our New Items Are Shrink Wrapped.All items shipped within 3 working days of payment.We take every step to ensure your vinyl purchase is delivered to you in the same pristine condition as when it leaves our packing area. We have selected very robust 12 inch mailers in order to protect your valuable vinyl throughout its journey to your doorstep. Even when handled incorrectly, your item should still arrive in tip-top condition.

THE COMPLETE LP + BONUS TRACK - 180-GRAM VIRGIN VINYL LIMITED EDITION.

All or Nothing at All is a studio album from 1958 on Norman Granz's Verve Records label. Featuring twelve songs taken from five different recording sessions that took place in 1956 and 1957, a period when some thought Billie Holiday was in vocal decline, a thought not shared by Mile Davis it must be said:

'I'd rather hear [Billie Holiday] now. She's become more mature. Sometimes you can sing words every night for five years, and all of a sudden it dawns on you what the song means.... So with Billie, you know she's not thinking now what she was in 1937, and she's probably learned more about different things. And she still has control, probably more control now than she did back then. No, I don't think she's in decline.'-- MILES DAVIS, 1958.

--

'For these sessions, Granz assembled a wonderful group of musicians who shined as much when backing Holiday as they did on their solos. The front line was covered by Harry Edison and Ben Webster, both longtime friends of Holiday and each a specialist in accompanying vocalists. Holiday's pianist was the exceptionally sensitive Jimmy Rowles, who had rehearsed the songs with Holiday before the sessions. Barney Kessel provided both harmonic and melodic support on guitar, and the rhythm section was filled out with Red Mitchell and Joe Mondragon alternating on bass, and Al Stoller and Larry Bunker swapping duties on drums. All of these musicians were based in LA at the time and had all worked together, so the fine ensemble playing was a given, and the group easily put together all of the arrangements on the recording dates.' - AllMusic: Jim Lennon May 6, 2022

Track Listing

Do Nothin' Till You Hear From Me

All Or Nothing At All

Cheek To Cheek

We'll Be Together Again

Ill Wind

Sophisticated Lady

Speak Low

April In Paris

I Wished On The Moon

Say It Isn't So

But Not For Me

Love Is Here To Stay

Moonlight In Vermont

Details
  • Product Type: Vinyl
  • Barcode: 8435723700807
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