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This release marks a musical homecoming for Sara Ovinge, since she has chosen a slightly more convoluted career path than most violinists. Sara has sought out and immersed herself in contemporary music, Iranian music, composition, improvisation, and art-pop amongst several other musical pursuits. Her entire M.O. points to a strong and intrinsic need to be a 'co-creating' musician, one who leaves her mark on the musical expression in a more comprehensive way than simply playing the notes on the stand.\r
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This record is no exception, being a result of her commissioning, her curating, and a substantial dose of willpower.

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Meeting with Kjetil Bjerkestrandin 2019, Sara found something she was looking for. He is the epitome of the symbiotic musician, drawing on experience and inspirations from a wide range of musical styles, from rock, pop through to contemporary. He describes the composition process as one part search for fixation points in a series of possible events, and one part exploration of friction caused by the union of the elastic and the mechanical.

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A theme that Sara aimed to pursue in the project was the juxtaposition of the electronic and the organic. Philip Glass's 2nd Piano Concerto is arranged for synthesizer and strings, a kind of updated version of Vivaldi's string orchestra with continuo. But where previous recordings have gone for an electronic sound resembling the baroque harpsichord, Sara wanted to create a more electro-acoustic soundscape, thus achieving a common thread between the two works.

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'Pacy, repeated motifs and catchy, fragmented melodies are contrasted with electronic humming landscapes.' \x96 BBC Music Magazine; Recording 5 STARS, Performance 3 STARS

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'the Glass is a real concerto, and [\xd6ving] is magnificent. [\x85]. Her rich and beautiful tone in more cantabile passages is balm to the mind. [\x85] Listening to [the disc] is unalloyed pleasure.' \x96 MusicWeb International\r
\r

'The label LAWO is establishing itself as questing, infinitely curious, and ambitious. No release shows these aspects better than this. [\x85] Violinist Sara \xd6vinge is superb, both in lyrical rumination and cumulative repetition' \x96 Classical Explorer

Philip Glass: Violin Concerto No. 2, The American Four Seasons: I. Prologue

II. Movement I

III. Song No. 1

IV. Movement II

V. Song No. 2

VI. Movement III

VII. Song No. 3

VIII. Movement IV

Kjetil Bjerkestrand: Violin Concerto No. 1, Patientia: I. Vaghals

II. En & tyve

III. Descent & Ascent

IV. Seven

V. Ups & Downs

VI. Patientia

View full details
Description
Please Note Not All Our New Items Are Shrink Wrapped.All items shipped within 3 working days of payment.This release marks a musical homecoming for Sara Ovinge, since she has chosen a slightly more convoluted career path than most violinists. Sara has sought out and immersed herself in contemporary music, Iranian music, composition, improvisation, and art-pop amongst several other musical pursuits. Her entire M.O. points to a strong and intrinsic need to be a 'co-creating' musician, one who leaves her mark on the musical expression in a more comprehensive way than simply playing the notes on the stand.rr

This record is no exception, being a result of her commissioning, her curating, and a substantial dose of willpower.

rr

Meeting with Kjetil Bjerkestrandin 2019, Sara found something she was looking for. He is the epitome of the symbiotic musician, drawing on experience and inspirations from a wide range of musical styles, from rock, pop through to contemporary. He describes the composition process as one part search for fixation points in a series of possible events, and one part exploration of friction caused by the union of the elastic and the mechanical.

rr

A theme that Sara aimed to pursue in the project was the juxtaposition of the electronic and the organic. Philip Glass's 2nd Piano Concerto is arranged for synthesizer and strings, a kind of updated version of Vivaldi's string orchestra with continuo. But where previous recordings have gone for an electronic sound resembling the baroque harpsichord, Sara wanted to create a more electro-acoustic soundscape, thus achieving a common thread between the two works.

rr

'Pacy, repeated motifs and catchy, fragmented melodies are contrasted with electronic humming landscapes.' x96 BBC Music Magazine; Recording 5 STARS, Performance 3 STARS

rr'the Glass is a real concerto, and [xd6ving] is magnificent. [x85]. Her rich and beautiful tone in more cantabile passages is balm to the mind. [x85] Listening to [the disc] is unalloyed pleasure.' x96 MusicWeb Internationalrr

'The label LAWO is establishing itself as questing, infinitely curious, and ambitious. No release shows these aspects better than this. [x85] Violinist Sara xd6vinge is superb, both in lyrical rumination and cumulative repetition' x96 Classical Explorer

Philip Glass: Violin Concerto No. 2, The American Four Seasons: I. Prologue

II. Movement I

III. Song No. 1

IV. Movement II

V. Song No. 2

VI. Movement III

VII. Song No. 3

VIII. Movement IV

Kjetil Bjerkestrand: Violin Concerto No. 1, Patientia: I. Vaghals

II. En & tyve

III. Descent & Ascent

IV. Seven

V. Ups & Downs

VI. Patientia

Track Listing

Philip Glass: Violin Concerto No. 2, The American Four Seasons: I. Prologue

II. Movement I

III. Song No. 1

IV. Movement II

V. Song No. 2

VI. Movement III

VII. Song No. 3

VIII. Movement IV

Kjetil Bjerkestrand: Violin Concerto No. 1, Patientia: I. Vaghals

II. En & tyve

III. Descent & Ascent

IV. Seven

V. Ups & Downs

VI. Patientia

Details
  • Genre: Classical
  • Product Type: AUDIO CD
  • Barcode: 7090020182773
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