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Franz Liszt certainly would have been very pleased with Zuzana Ferjen 269;\xedkov\xe1's selection of the Aloys Mooser organ in the Fribourg Cathedral for the first release of her complete recording of his organ works. \r
\r
Liszt himself travelled to Fribourg with George Sand in 1836 in order to have this instrument presented to him. Inspired by this marvellous organ, he then repeatedly wrote compositions and transcriptions for performance on\r
the organ, constantly expanding the sound panorama to keep up with the advances in organ design.\r
\r
A surprise comes right at the beginning when Ferjen 269;\xedkov\xe1 presents the famous Prelude and Fugue on B-A-C-H in the very rarely performed original version premiered by the Liszt pupil Alexander Winterberger at the Merseburg Cathedral in 1856.\r
\r
Ferjenci\xedkov\xe1's program selections demonstrate just how broad Liszt's interest was in the music of his contemporaries and earlier generations. Here we find transcriptions ranging from Bach to Otto Nicolai, recorded in the very finest SACD technology and can be admired in its full tonal splendour in the best 3-D sound.

Praludium Und Fuge Uber Das Thema B-A-C-H

Ave Maria I

Bach/Liszt: Einleitung Und Fuge Aus Der Kantate BWV 21

Bach/Liszt: 'Aus Tiefer Not Schrei Ich Zu Dir', BWV 38

Bach/Liszt: Adagio Aus Der 4. Sonate Fur Violine Und Cembalo, BWV 1017

Nicolai/Liszt: Kirchliche Fest-Ouverture Uber Den Choral

Lasso/Liszt: Regina Coeli Laeare, 1865

Liszt: Einleitung, Fuge Und Magnificat Aus Der Symphonie Zu Dantes

Lasso/Liszt: Regina Coeli Laeare, 1865

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Please Note Not All Our New Items Are Shrink Wrapped.All items shipped within 3 working days of payment.Franz Liszt certainly would have been very pleased with Zuzana Ferjen 269;xedkovxe1's selection of the Aloys Mooser organ in the Fribourg Cathedral for the first release of her complete recording of his organ works. rrLiszt himself travelled to Fribourg with George Sand in 1836 in order to have this instrument presented to him. Inspired by this marvellous organ, he then repeatedly wrote compositions and transcriptions for performance onrthe organ, constantly expanding the sound panorama to keep up with the advances in organ design.rrA surprise comes right at the beginning when Ferjen 269;xedkovxe1 presents the famous Prelude and Fugue on B-A-C-H in the very rarely performed original version premiered by the Liszt pupil Alexander Winterberger at the Merseburg Cathedral in 1856.rrFerjencixedkovxe1's program selections demonstrate just how broad Liszt's interest was in the music of his contemporaries and earlier generations. Here we find transcriptions ranging from Bach to Otto Nicolai, recorded in the very finest SACD technology and can be admired in its full tonal splendour in the best 3-D sound.

Praludium Und Fuge Uber Das Thema B-A-C-H

Ave Maria I

Bach/Liszt: Einleitung Und Fuge Aus Der Kantate BWV 21

Bach/Liszt: 'Aus Tiefer Not Schrei Ich Zu Dir', BWV 38

Bach/Liszt: Adagio Aus Der 4. Sonate Fur Violine Und Cembalo, BWV 1017

Nicolai/Liszt: Kirchliche Fest-Ouverture Uber Den Choral

Lasso/Liszt: Regina Coeli Laeare, 1865

Liszt: Einleitung, Fuge Und Magnificat Aus Der Symphonie Zu Dantes

Lasso/Liszt: Regina Coeli Laeare, 1865

Details
  • Genre: Classical
  • Product Type: AUDIO CD
  • Barcode: 760623214061
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