Straussharmen - MENDELSSOHN: Lieder ohne Worte [CD]

Brand New From Reputable UK Company With 30 Years Experience In Retail, Please Note Not All Our New Items Are Shrink Wrapped.
All items shipped within 3 working days of payment.
Please note that all our DVDs are Region 2.


Please note that not all audio CDs are shrink-wrapped fom the factory.


Felix Mendelssohn (1809–1847) Songs without Words (selection), arranged for violin and piano  Born in Hamburg in 1809, eldest son of the banker Abraham Mendelssohn and grandson of the great Jewish thinker Moses Mendelssohn, Felix Mendelssohn, who took the additional name Bartholdy on his baptism as a Christian, Heine's ticket of admission to European culture, was brought up in Berlin, where his family settled in 1812. Here he enjoyed the wide cultural opportunities that his family offered, through their own interests and connections. His early gifts, manifested in a number of directions, included marked musical precocity, both as a player and as a performer, at a remarkably early age.Mendelssohn's early manhood brought the opportunity to travel, as far south as Naples and as far north as The Hebrides, with Italy and Scotland both providing the inspiration for later symphonies. His career involved him in the Lower Rhine Festival in Düsseldorf and a period as city director of music, followed, in 1835, by appointment as conductor of the Gewandhaus Orchestra in Leipzig. Here he was able to continue the work he had started in Berlin six years earlier, when he had conducted in Berlin a revival of Bach's St Matthew Passion. Leipzig was to provide a degree of satisfaction that he could not find in Berlin, where he returned at the invitation of King Friedrich Wilhelm IV in 1841. In Leipzig once more, in 1843, he established a new Conservatory, spending his final years there, until his death at the age of 38 on 4th November 1847, six months after the death of his gifted and beloved sister Fanny.To contemporaries of Mendelssohn the notion of songs without words seemed paradoxical. If there were no words, there could be no song. Yet what Mendelssohn achieved was exactly what his title suggested, music in its purest and simplest form, expressing its own musical meaning, imbued with feeling, but without verbal connotation. He expressed strong views about the inevitably ambiguous nature of words, a judgement commonly applied by his contemporaries to music. At the same time short piano pieces of this kind would always find a ready amateur market and would be welcomed by publishers, although this may have been irrelevant to the composer's purpose. The series of Songs without Words that Mendelssohn wrote and published from 1830 onwards serve as a very personal musical diary in which the composer expressed very precisely musical ideas that had, he alleged, no verbal equivalent. It was left to later publishers to suggest titles for the pieces, a procedure that Mendelssohn himself deplored. Nevertheless the publisher's titles are included here, as well as the very small number of verbal indications authorised by the composer.The Opus 19 collection of Songs without Words was the first to be published, appearing in August 1832, originally under the title Melodies for the Pianoforte. Marked Andante con moto the firs

Allegretto Grazioso,Op.62,No.6

Allegro Agitato,Op.19,No.5

Andante Espressivo,Op.62,No.1

Molto Allegro,Op.67,No.2

Allegretto Tranquillo,Op.30,No.6,'Venetian Boat Song'

Agitato E Con Fuoco,Op.30,No.4

Adagio Non Troppo,Op.30,No.3

Con Moto,Op.38,No.1

Andante Tranquillo,Op.67,No.3

Andante,Op.67,No.1

Moderato,Op.67,No.5

Presto Agitato,Op.53,No.3

Allegro Con Animato,Op.62,No.4

Andante Maestoso,Op.62,No.3

Andante Con Moto,Op.38,No.6,'Duetto'

Adagio,Op.53,No.4

Andante,Op.38,No.4

Allegro Non Troppo,Op.38,No.2

Andante Espressivo,Op.30,No.1

Allegro Con Fuoco,Op.53,No.5,'Folk Song'

Moderato,Op.19,No.4

Andante Con Moto,Op.19,No.1