{"product_id":"814835","title":"Robert Heger - Strauss: Der Rosenkavalier [1933 Recording] [CD]","description":"Brand New From Reputable UK Company With 30 Years Experience In Retail, Please Note Not All Our New Items Are Shrink Wrapped.\u003cbr\u003eAll items shipped within 3 working days of payment.\u003cbr\u003ePlease note that all our DVDs are Region 2.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePlease note that not all audio CDs are shrink-wrapped fom the factory.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eRichard STRAUSS (1864-1949)Der Rosenkavalier (abridged version)\t‘Die Zeit, die ist ein sonderbar Ding’\t‘Time – is such a curious thing’The Marschallin, Act 1 of Der RosenkavalierTime - a curious thing indeed; for it seems that as the origins of this celebrated recording recede further into the past, the more it reveals of the early performing style of this ‘greatest high comedy in all opera’. Even though the sessions took place 22 years after Der Rosenkavalier’s first performance, it must be remembered that three of the recording’s principals, Lehmann, Schumann and Mayr, all sang in productions within twelve weeks of the Dresden première, the two sopranos in Hamburg and the bass in Vienna. Indeed, it was in Hamburg that the intriguing single performance took place in which Lehmann sang Sophie and Schumann sang Octavian. (In those early days Sophie and, slightly later, Octavian were Lehmann’s rôles and she undertook the Marschallin for the first time only in 1924, at Covent Garden.) Olszewska’s experience of the opera was not as extensive as that of her colleagues but, by 1933, she was already greatly admired for her interpretation of Octavian. How fortunate that the greatest Marschallin of her day, perhaps the finest ever, the most enchanting Sophie, such a gallant Octavian and an unsurpassed Ochs were all able to participate in the recording. Abridged? Yes, but the principal scenes are here largely intact, so much of the atmosphere of the opera’s early productions is re-created on this historic set. Der Rosenkavalier was fortunate in its early recordings. Shortly after the première the three leading ladies made several discs, and over the years many fine singers set down their interpretations of choice excerpts; several are included on CD2, including Tauber (remarkably sweet-toned); Barbara Kemp (both in the studio and ‘live’ at the Theater Unter der Linden, Berlin, where she sang for twenty seasons); Delia Reinhardt (the customary Octavian at Covent Garden with Lehmann and Schumann), Conchita Supervia (the Octavian of the Rome première in 1911); and Alexander Kipnis, somewhat strait-laced, but a bass of tremendous authority, whose Ochs was later much praised at the Met. Such important fragments paved the way for this 1933 set, but it was to be another seventeen years before the first complete studio recording of Der Rosenkavalier was made. Since then many further versions of the opera have been released but none has earned the affectionate admiration accorded to this one, often referred to in short as ‘Lehmann’s Rosenkavalier’. That abbreviation is misleading, of course. Other performances with Lehmann survive, notably a 1939 live recording from the Met (Naxos 8.110034-36). The Marschallin is really not the main rôle; she does not feature at all in the second act, re-appearing only halfway through the third, and the opera\u0026amp;\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Introduction\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Muss jetzt partout zu ihr!\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Wie du warst! Wie du bist!\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Weiss bereits nicht\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Der Feldmarschall sitzt im krowatischen Wald\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Leupold, wir geh'n!\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Die Stimm'!\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Mein Gott, es war nicht mehr als ein Farce\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Hat Sie schon einmal mit einem Kavalier\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Heut' oder morgen oder den \\xc3\\xbcbern\\xc3\\xa4chsten Tag\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Da geht er hin, der aufgeblasene schlechte Kerl\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Marie Theres'!... Hab' mir's gelobt\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Ach! Du bist wieder da!\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Ist ein Traum, kann nicht wirklich sein\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Die Zeit, die ist ein sonderbar Ding\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Sind halt aso, die jungen Leut'!\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Mein sch\\xc3\\xb6ner Schatz\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Ist ein Traum, kann nicht wirklich sein\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Ich werd jetzt in die Kirchen geh'n\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Di rigori armato il seno\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 2. In dieser feierlichen Stunde der Pr\\xc3\\xbcfung\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Oh sei Er gut, Quinquin... Die Zeit, die ist ein\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 2. Mir ist die Ehre widerfahren\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Kann mich auch an ein M\\xc3\\xa4del erinnern... Die Zeit\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 2. Ich kenn' Ihn schon recht wohl\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 2. Mir ist Ehre widerfahren\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 2. Zu Ihm h\\xc3\\xa4tt' ich ein Zutrau'n\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 2. Da lieg' ich!... Herr Kavalier!\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 2. Wart', dich hau' i' z'samm\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 2. Herr Kavalier!\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 2. Da!... Herr Kavalier!\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Ich weiss auch nix, gar nix!... Marie Theres'!\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Introduction and Pantomime\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Ja, ja... Ist ein Traum\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Hab'n Euer Gnaden noch weitre Befehle?\u003c\/p\u003e\u003cp\u003eDer Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Nein, nein, nein, nein! I trink' kein Wein\u003c\/p\u003e","brand":"Chalkys.com","offers":[{"title":"Default Title","offer_id":55582575493505,"sku":"814835","price":20.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/8043\/1219\/files\/51_zpOn_GL._SL1500.jpg?v=1777454503","url":"https:\/\/chalkys.com\/products\/814835","provider":"Chalkys.com","version":"1.0","type":"link"}