{"product_id":"769152-2","title":"Symph Ensferrari - SAMMARTINI: Gerusalemme sconoscente ingrata \/ Confitebor \/ Symphonies [CD]","description":"Brand New From Reputable UK Company With 30 Years Experience In Retail, Please Note Not All Our New Items Are Shrink Wrapped.\u003cbr\u003eAll items shipped within 3 working days of payment.\u003cbr\u003ePlease note that all our DVDs are Region 2.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePlease note that not all audio CDs are shrink-wrapped fom the factory.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eGiovanni  Battista Sammartini (1700\/01-1775)  Cantata: Gerusalemme sconoscente ingrata, J-C 122 • Confitebor • Symphonies J-C  25\/56  A pillar of eighteenth-century Milanese musical life, Giovanni  Battista Sammartini was a versatile and prolific composer. He is often credited  as the leading Italian symphonist, almost as if to compensate for having been  eclipsed in reputation over the years by his Northern European contemporaries,  but he played a wider rôle than that in the history of music and accordingly  deserves greater appreciation than he currently enjoys. He was never tied to a  single patron or institution and was able to take full advantage of the varied  cultural life of his native city, making his name known in its academies,  outdoor concerts and opera houses, as well as in teaching circles. Many people,  including some very talented amateurs, were involved in instrumental and  orchestral music-making, a fact that encouraged Sammartini to write a huge  number of structurally and stylistically varied symphonies, all underpinned by  his absolute mastery of compositional technique. This is evident in the Symphony  in E flat major, J-C 25,  and the Symphony in G minor,  J-C 56, featured on the present recording. The first of the two comprises  a pair of fast movements in ternary form, while the second has three movements,  in the usual fast-slow-fast sequence, and both demonstrate a fine use of contrast,  grafted on to a fluid, uninterrupted rhythmical background. The first movement  of J-C 25also appears in  the Lenten cantata Maria addolorata (Naxos  8.557431), where the horns are replaced by oboes.Sammartini was, however, more than a symphonist. Twenty or  so sacred works survive as evidence of his years as a hard-working maestro  di cappella, including one Mass and eight Lenten cantatas. These were  written for performance by a 'congregazione', a Catholic association  of (primarily) lay people, funded by members' subscriptions, worshipping on the  margins of liturgical practice and devoted to religious and charitable works.Sammartini maintained a close relationship for nearly fifty  years (from 1724 to 1773) with the Congregation of the Most Holy Sepulchre of  Our Lord Jesus Christ and the Solitude of the Most Holy Sorrowing Virgin, which  met at the Jesuit Church of San Fedele. It had been founded by the Spanish  governor of Lombardy in 1633 and over the years counted Spaniards, Austrians and  Italians among its members, depending on which group was ruling Milan at the time. Lent  was the central focus of the Congregation's religious year, and each Friday  during that period a form of worship above and beyond the usual liturgy took  place. This included a sermon and a cantata in Italian, which were written for the  occasion by the maestro di cappella and which, given their content and  style, could be classed as sacred theatrical pieces.The eight surviving Lenten cantatas (five for 1751 and three  for 1759), n\u003cp\u003eIntroduction (Sinfonia)\u003c\/p\u003e\u003cp\u003eRecitative I: And Who Amoung You Brings Me News Of My Lord Jesus?\u003c\/p\u003e\u003cp\u003eAria: The Cruel, Rapacious Wolf\u003c\/p\u003e\u003cp\u003eRecitative II: O Treacherous People!\u003c\/p\u003e\u003cp\u003eAria: Long Live The Son Of David\u003c\/p\u003e\u003cp\u003eRecitative III: I Myself Saw How, Mid The Pitiless Throng\u003c\/p\u003e\u003cp\u003eAria: The Crown And Robe\u003c\/p\u003e\u003cp\u003eRecitative IV: Not Even That Could Touch Those Hard, Perfidious Hearts\u003c\/p\u003e\u003cp\u003eFinale (Chorus): Faithless, Senseless Zion\u003c\/p\u003e\u003cp\u003eConfitebor, J-C B-5\u003c\/p\u003e\u003cp\u003ePresto\u003c\/p\u003e\u003cp\u003eAllegro\u003c\/p\u003e\u003cp\u003eAllegro\u003c\/p\u003e\u003cp\u003eAndante\u003c\/p\u003e\u003cp\u003ePresto\u003c\/p\u003e","brand":"Chalkys.com","offers":[{"title":"Default Title","offer_id":55730265850241,"sku":"769152","price":14.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/8043\/1219\/files\/51dOB4y2W2L._SL1500_f3ba3356-baea-4c33-815f-36767954c57e.jpg?v=1779902725","url":"https:\/\/chalkys.com\/products\/769152-2","provider":"Chalkys.com","version":"1.0","type":"link"}