{"product_id":"762404-1","title":"Comic Intermezzo - Comic Intermezzo [CD]","description":"Brand New From Reputable UK Company With 30 Years Experience In Retail, Please Note Not All Our New Items Are Shrink Wrapped.\u003cbr\u003eAll items shipped within 3 working days of payment.\u003cbr\u003ePlease note that all our DVDs are Region 2.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePlease note that not all audio CDs are shrink-wrapped fom the factory.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDomenico Sarri (1679–1744)  Moschetta e Grullo Francesco Gasparini (1661–1727)  Giovanni Bononcini (1670–1747)  Mirena e Floro o La Nana francese e Armena  The genre of early eighteenth-century comic chamber operas  known as intermezzi was among the  most popular forms of entertainment of the day. Their genesis can be found in  the serious opera, or opera seria,  which in its early stages often had comic characters incorporated in the  libretto, usually servants or peasants. Around 1706 these comic characters were  separated from the larger opera and given their own opera, performed as  interludes between the acts of the opera  seria. Hence the title intermezzi.  After a brief transitional period, the intermezzo developed its own traditions and formulas which had no connection at all with  the opera seria. The characters and situations  were directly derived from the commedia dell'arte tradition of improvised theatre. Slapstick, sight gags and disguises were  widely incorporated into the intermezzi,  as in commedia. Since they had the  added element of music, though, they incorporated patter singing, wide  fluctuations in tempi, large ranges for the singers and many instrumental and  vocal effects to exaggerate the comedy.The intermezzo spread rapidly throughout Europe from its centre in Naples,  reaching Moscow in 1731 and London in 1737. After 1750 or so (with the  noted exception of Paris,  where an Italian troupe performed several intermezzi to great acclaim and notoriety), the popularity of the intermezzi began to wane as audiences became more interested in  larger scale comic operas with several characters and more complex plots. Works  which were direct descendants of the intermezzi tradition continued to be written, though, as seen in such works as Haydn's La Canterina (1766), Mozart's Bastien und Bastienne (1768) and  Cherubini's early Il marito giocatore (1775), and even, rarely, into the twentieth century in Wolf-Ferrari's Il segreto di Susanna (1909). Moschetta e GrulloBorn in Naples,  Domenico Sarri (also called Sarro), although quite forgotten today, is  consistently listed, along with Hasse, Vinci, Leo and Pergolesi, as one of the foremost  composers of intermezzi of his day.  He seems to have split his creative activities almost equally between serious  and comic operas, although it is for the latter that he is most highly  regarded. Sarri was not a well-travelled composer and enjoyed only a brief  period of success in Naples,  where he spent almost his entire life. Only between around 1718 and 1726 were  his operas much performed, although he was active much longer. In 1728 he was  named maestro di cappella to the city  of Naples, and  then maestro di cappella at the court  there in 1737. In this position, it fell to him to compose the opera which had  the honour of opening the newly built Teatro San Carlo in 1737: Achille in Sciro. Some of the neglect of  Sarri is due, in part, to disparaging comments\u003cp\u003eAria: 'Quanto Son Pazze'\u003c\/p\u003e\u003cp\u003eRecit: 'Io Di Grullo Mi Rido'\u003c\/p\u003e\u003cp\u003eAria: 'Non L'amero Mai Piu'\u003c\/p\u003e\u003cp\u003eRecit: 'Ma, Che Vedo?'\u003c\/p\u003e\u003cp\u003eDuet: 'No, No, Non Sei Piu Quello'\u003c\/p\u003e\u003cp\u003eRecit: 'Ho Patito Piu Assai'\u003c\/p\u003e\u003cp\u003eAria: 'Sai Tu Shi T'ama?'\u003c\/p\u003e\u003cp\u003eRecit: 'Tu? Mi.'\u003c\/p\u003e\u003cp\u003eAria: 'Il Soldato Che Va In Guerra'\u003c\/p\u003e\u003cp\u003eRecit: 'Dunque...'\u003c\/p\u003e\u003cp\u003eDuet: 'Consolato Il Cor Mi Sento'\u003c\/p\u003e\u003cp\u003eDuet\/Recit: 'Son Sdegnato'\u003c\/p\u003e\u003cp\u003eAria: 'Se Tu Mi Guardi'\u003c\/p\u003e\u003cp\u003eRecit: 'Dicano Che La Femmina Piange Quand'ella Vuole'\u003c\/p\u003e\u003cp\u003eAria: 'Con Il tuo Ridere'\u003c\/p\u003e\u003cp\u003eRecit: 'Lascia il Fratello Parte'\u003c\/p\u003e\u003cp\u003eDuet: 'Tu Dolce Mio Core'\u003c\/p\u003e\u003cp\u003eRecit: 'Lo Mi Spiegai Con Floro'\u003c\/p\u003e\u003cp\u003eAria: 'Gia Parmi Mirarmi'\u003c\/p\u003e\u003cp\u003eRecit: 'Mandami Un Certo Floro'\u003c\/p\u003e\u003cp\u003eAria: 'Tutto Il Giorno Stava In Letto'\u003c\/p\u003e\u003cp\u003eRecit: 'Sei Una Nana Fina'\u003c\/p\u003e\u003cp\u003eDuet: 'Sono Floro'\u003c\/p\u003e\u003cp\u003eAria: 'Donne Mie, Fuggite Amore'\u003c\/p\u003e\u003cp\u003eRecit Accompagnato: 'Per Gelosia Cosi'\u003c\/p\u003e\u003cp\u003eDuet: 'Ah, Floro, Floro'\u003c\/p\u003e","brand":"Chalkys.com","offers":[{"title":"Default Title","offer_id":55148268028289,"sku":"762404","price":14.98,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0056\/8043\/1219\/files\/51gTI3XdqGL._SL1500_7b69fa32-5773-4bf0-ac79-95ea030d6c62.jpg?v=1767819715","url":"https:\/\/chalkys.com\/products\/762404-1","provider":"Chalkys.com","version":"1.0","type":"link"}